20th September 2024

Downloading & replaying is discontinued. However, tracks played were:

Kon Kan - I Beg Your Pardon (I Never Promised You a Rose Garden)
Claire Cottrill - Sexy to Someone
King Zebra - Starlight
Lynks - TENNIS SONG
Drunk Mums - New Australia
jasmine.4.t - Skin on Skin
God Save The King - Another Hero Is Dead
Nilüfer Yanya - Made Out Of Memory
The Baby Seals - Vibrator
Maggie Rogers - Don't Forget Me
Anna Erhard - Not Rick
Vier Meter Hustensaft - Kein Vergeben
Charlotte De Witte - Live @ Ultra Music Festival Miami 2023 - The Age Of Love
Big Wett - Hold Up Ur Body 
The Chords - Indie Disco Friday Night
Plus One - Total Tommy
Hinds - Hi, How Are You
Joezi and Lizwi - Amathole (original mix) #afrohouse

14th September 2024

Titus writes:

I seem to remember saying some time ago that I enjoy techno music.  I love the sheer energy and skill of producing it.   There are many, many DJs but Charlotte de Witte, I would definitely say is “at the top of her game” as far as DJing goes.  She is a 32 year old Belgian DJ and record producer, best known for her dark and stripped back brand of acid-techno.  She is also the founder of the music labels KNTXT and Époque.  First though a little history plus the evolution of the DJ.  He or she used to play a selection of vinyl records on a turntable, at entertainment venues and over the radio.  This inevitably progressed via cassettes and CDs to today’s modern digital computer technology, and DJing software like Serato & Traktor are in common use.   The DJ became involved in mixing and remixing tracks, using equipment that can play at least two sources of recorded music simultaneously.  In most cases modern DJs have become so involved that they can now appear in their own right at venues – the likes of Charlotte, Deborah de Luca, Carl Cox, David Guetta, Amelie Lens regularly pack thousands of adoring, dancing fans into their gigs which usually last much longer say than the average band performance.  Festivals like Ultra Miami, Lollapalooza, Coachella and Tomorrowlands are hugely popular to live audiences and to video platforms like You Tube.
 
Well that’s a brief history, and possibly the only time in my own life that I wish I had been born  LATER in the twentieth century, was when I heard that Charlotte de Witte around 2009 had started to explore Ghent’s underground night scene and found herself totally obsessed with electronic and techno music. Wow!  Perhaps a little scary but what a career path to take.  I have another amazing fact to tell you about now, and you won’t be surprised to know that “Not a lot of people know that”........  De Witte, when breaking into DJing, called herself Raving George to try and avoid prejudice against female DJs, and released her debut EP in 2013 under that name.
 
A couple of years later, she dispensed with the alias of Raving George and started using her real name.  Apparently she recalls a set played by by German DJ Len Faki, at a festival and adopted his style to a style similar to her current one. She later released an EP called ‘Weltschmerz’ on Turbo Recordings.  In 2017 / 18, de Witte released seven EP’s, and performed at such notable electronic music events  as the London Printworks, Boiler Room, and Junction 2 Festival.  Just before the end of the decade, she launched her own record label KNTXT, and well known musicians like Chris Liebing and Monoloc released music on that label.  In that year of 2019, she gained the prestigious DJ Awards ‘Best Techno DJ’ accolade, and since then, following further successes,  has advanced to becoming true to her nickname ‘Techno Queen’.
 
I rarely touch on personal lives, but it is a fact that in 2021, Charlotte became engaged to another techno DJ, Enrico Sangiuliano who hails from Italy.  The pair released their iconic remixed version of 1990’s Belgian tune ‘The Age of Love’, which became hugely popular, gaining Gold Record status.  The couple married in 2022.  The biggest problem I’ve had in respect of finding a track for Lex to play is the sheer length of most of Charlotte’s recorded work, but if Lex doesn’t mind, this selection is a radio edit, just over four and a half minutes’ long.  It is the track just referred to and this remix was recorded live at the Ultra Music Festival in Miami in 2023. Being an edited remix, it ends rather abruptly, so may require our DJ to demonstrate his tech skills in ‘fading’ the track.  If you ever get the chance to see Charlotte de Witte – please take it – there really is no DJ to match her on the planet IMO, and she really is the Queen of Techno.  ‘The Age of Love’ can be found here.

13th September 2024

Click HERE to listen again or to download the podcast (downloading & playing is more reliable). 

Manic Street Preachers - Decline & Fall
Frank Turner - Girl From The Record Shop
Bee Gees + AC/DC Mashup by WAX Audio - Stayin' in Black
Mk.gee - Lonely Fight
Sunflower Thieves - Driving Lessons
The Fray - Don't Look Down
Cat Power - Cross Bones Style
Alex Puddu - Il Cinema
The Bug Club - We Don't Care About That
Aria - Rectify Your Soul
Amyl and The Sniffers - Chewing Gum
Shanti Celeste - Ice Cream Dream Boy
Wunderhorse - Arizona
Joe Little - Green Fields
The Freshies - I'm In Love With A Girl On A Certain Megastore Check-Out Desk
Faces - Jealous Guy  (Live on In Concert, BBC, 21/4/73)
Jerome Blazé - Emerge (For Sarah) 

8th September 2024

Titus writes:

First, many thanks to Lex for letting me choose the material for last week’s playlist – I hope you enjoyed my selection.  Second, I am resuming blogging this week with emphasis on a solo American singer/songwriter that I greatly admire – Cat Power.  You won’t be at all surprised that this is her stage name rather than her real name, and she was born as Charlyn Marie Marshall in Atlanta, Georgia, although nowadays she is known as Chan (pronounced Shawn) Marshall or Cat Power.  Her voice is fairly deep and husky, and over her 12 albums, many people have noticed the constant evolution of her songs, with a mix of blues, folk, soul and even punk.  ‘L.A. Weekly’  found most of her songs rather melancholy, and described her as “The Queen of Sadcore” -  a label that Cat Power herself disputed.  As a teenager she listened to The Smiths, Siouxsie & the Banshees, and The Cure, plus her stepfather’s record collection which included Otis Redding, Creedence Clearwater Revival and the Rolling Stones.  Perhaps a major event in her career was in 1996, when she signed for Matador Records, whom she was with for 22 years.
 
She made 3 sessions for John Peel, with one recorded at ‘Peel Acres’ on 18 June 2000 – this became famous in that she belted out 11 cover versions of tunes, including Dylan’s ‘Hard times in New York Town’ and Oasis’s ‘Wonderwall’.  To complement the original material that she was writing, she made the 2000 LP  ‘The Covers Album’.  Matador released this, but the contract for it allegedly consisted of a Post It note signed by herself and the founder of the Record Company. After a flirtation with the fashion industry, who liked her ‘neo grunge’ look, there was a hiatus until 2003, when Chan released her first album of original material in five years called ‘You are Free’.
 
In January 2006, Cat Power released, to great acclaim, her seventh album ‘The Greatest’ . This was a Southern soul-influenced LP of new material, augmented by several Memphis studio musicians, and unlike her previous work, gained mainstream success, making its debut in the Billboard chart at No. 34.  ‘The Greatest’ won her the ‘Shortlist Music Prize’ making Chan Marshall the first woman to win this honour. To continue my ‘Not a lot of people know that’ series that you all know and love, Chan became a celebrity spokesperson for a new line of jewellery from World famous fashion & perfume company Chanel.  Apparently Karl Lagerfeld had seen her smoking a cigarette outside the Mercer Hotel in New York, and chose her for the soundtrack to his Spring 2007 fashion show.
 
In 2008, Cat Power formed her own band called the Dirty Delta Blues Band, and her iconic ‘Song to Bobby’ (tribute to Bob Dylan) appeared on the ‘Juke box’ album.  During the same year, Chan and her band recorded their version of David Bowie’s ‘Space Oddity’ for a Lincoln car commercial.  Fast forward to 2012, and Cat Power released her most successful album to date called ‘Sun’, featuring her newly written material, and this received a media review of “a unique album, and worthy of a four star rating”.  Journalist Sarah Grant referred to it as “a passionate album of electronic music filtered through a singer-songwriter’s soul”.  I’m not a chart person as you know, but it is a fact that the LP debuted at No 10 in the Billboard chart.  In 2023 Marshall released her first live album, called ‘Cat Power sings Bob Dylan;The 1966 Royal Albert Hall concert’ and this year embarked upon a tour in support of the record.
 
So, that’s a whirlwind tour of Cat Power – broadly speaking, she and my favourite British female artiste PJ Harvey share similar traits, in that they are constantly changing and evolving.  I hope you like the track I have requested Lex to play, ‘Cross Bones Style‘ from the ‘Moon Pix’ album, which can be found here.

6th September 2024

Click HERE to listen again or to download the podcast (downloading & playing is more reliable). This was a guest playlist from Titus.

Cherez Richku Cherez Hai - The Wedding Present
The Vaccines - If You Wanna
(Glastonbury 2024)
Aurlus Mabele ( Feat. Loketo) - Malade de Toi
Brandy Clark - Stripes
Cat Power - Maybe Not
Half Man Half Biscuit - Tess of the Dormobiles
PJ Harvey - The Wheel (Primavera Sound Barcelona 2016)
Rick Astley & Blossoms - There Is A Light That Never Goes Out
(Glastonbury 2023)
Roy Harper - When An Old Cricketer Leaves The Crease
Paragon Sea - Fallout Sounds
Seagoth - Amorphous
Gorky's Zygotic Mynci - Country
Warrington-Runcorn New Town Development Plan - Busway
Waxahatchee - Bored
Orbital - Doctor Who 

30th August 2024

Click HERE to listen again or to download the podcast (downloading & playing is more reliable). 

The New Roses - Attracted To Danger
Laura Marling - No One’s Gonna Love You Like I Can
Ronnie Wood , Keith Richards & Rod Stewart - Mystifies Me
Hinds - The Bed, The Room, The Rain and You
The Hives - Countdown To Shutdown
Katy J Pearson - Maybe
Katie Gavin - Casual Drug Use
Homer feat. Hether - Deep Sea
Lucius feat. Adam Granduciel - Old Tape
She Drew The Gun - Mirrors
Kanda Bongo Man & Fayatess (live KoraAward Sun City) - Billi 
(See below)
REYNA - Mexico
Blondshell - What's Fair
Ash - Petrol (Remaster)
Joanna Sternberg - A Country Dance
Radio Free Alice - Spain
Shinedown - A Symptom Of Being Human 

24th August 2024

Titus writes:

Kanda Bongo Man (the person) was actually born Bongo Kanda, in Inongo, Belgian Congo – now Democratic Republic of the Congo, in 1955 (blimey, he’s nearly as old as Lex and me!) and is perhaps the most famous of all soukous musicians. He actually became the singer for Orchestra Belle Mambo in 1973, but his solo career only took off in 1979 after he moved to Paris.  I mentioned him in my blog of 3 December last year when I talked about African music as a whole, and raved about a former guitarist of his, the great Diblo Dibala, who is arguably the greatest guitarist of the soukous genre.
 
Kanda Bongo Man (the band) has always been superbly led by KBM himself, who has played guitar and been the vocalist.  The previous approach was to have one guitar solo at the end of several verses of the song.  He turned out to be revolutionary, by implementing guitar solos after every verse, and even the occasional guitar solo BEFORE the first verse.  This gave birth to the Kwassa Kwassa dance rhythm – this is where the hips go back and forth, while the hands move to follow the hips, if that makes sense.  I see it now, as a veteran lover of Kwassa Kwassa, but I concede I didn’t just a few short years ago.  As I said, Kanda Bongo Man has been a leader of many musicians in his long career, most notably Diblo, who although a really vital cog in KBM’s well oiled machine, moved on to begin his own successful solo career.  Kanda Bongo Man still tours both in Western Europe, Scandinavia and North America.  Locally for Lex there was an appearance in 2005 at the ‘LIVE 8:Africa calling concert’ in Cornwall, and locally for me, KBM performed at the Shrewsbury Folk Festival in 2022.
 
Discography-wise, Kanda Bongo Man have made 20 albums, from ‘Iyole’ in 1981 to ‘Lekette Bue’ in 2022,  and they have been recorded live on countless occasions, which e.g. You Tube & Spotify have for your delight on their channels.  You will not be at all surprised when I say that in the Eighties, John Peel & Andy Kershaw championed the music of Kanda Bongo Man and were key figures in introducing what was then generalised as ‘World Music’ to the mainstream.  KBM did 2 session for John’s Show, in 1993 and 2003.  I remember at the Glastonbury Festival in 2003, John’s co-host Jo Whiley (who had a terrific respect for Peel), couldn’t understand why he had sloped off one day – the reason was quickly unearthed when the cameras panned in on him dancing away on the hill, enjoying Kanda Bongo Man’s live set.......amazing because the great man rarely danced!
 
To summarise, most people, including myself, find this type of music incredibly joyous.  When you watch a soukous video the happiness leaps out at you and the skilled musicians all seem to be immensely enjoying themselves.  I mentioned to you that I had ventured down on the New York Underground to Bleecker Street in Greenwich Village, to seek out ‘Kwassa Kwassa’ CD’s.  Nowadays that area of Lower Manhattan mainly houses night clubs, record shops and indie boutiques,  but back in the day was known as true American Bohemia.  At the risk of sounding repetitious, I could choose enough music here to occupy the whole of Lex’s show, but in choosing one song, I have decided that the live recording made for the Kora Awards in Sun City of ‘Bili’ is perfect for a Friday night (or any night).  This features Kanda Bongo Man himself on vocals, and Faya Tess, who after her ‘Keba’ album was voted the best singer in Central Africa.  The track can be found here.