27th May 2024

Titus writes:
 
Sorry there was no blog last week folks, but Anne & I were on holiday in Orkney, and if you’ve never been, it’s wonderful, as were the places we visited in mainland Scotland on the outward and return journey. Needless to say, we tuned into ‘WTF is This?’ from our apartment in Orkney!
 
Anyhow, back to the world of blogging, and this week I want to tell you about particular favourites of mine, the trio 60 Ft Dolls. They, together with such fellow Welsh bands Gorky’s Zygotic Mynki, Melys, Pooh Sticks, Super Furry Animals, Anhrefn were all part of the era known as ‘Cool Cymru’.  The Dolls were formed in Newport, Gwent in 1992 and comprised Richard J. Parfitt, Michael Cole and Carl Bevan.  They were influenced by bands who played at the absolutely legendary TJ’s at Newport, and played a kind of noisy rock which the NME referred to, descriptively as “grunge mod...proto-pub metal blues of the first order”.  Just for those of you that like my “Not a lot of people have heard of that” ditties, Cole was dating Donna Matthews of Elastica, who introduced him to her colleague Parfitt at a Pizza restaurant they were both working at.
 
You’ve probably heard of the British convenience store firm ‘Happy Shopper’, and in 1993, Pooh Sticks’ Huw Williams released the single ‘Happy Shopper’ for the Dolls, after he was appointed as their manager.  The band enjoyed supporting Oasis, Elastica and J Maskis’s Dinosaur Junior, and then released a couple of singles “White Knuckle Ride” on Rough Trade Records  plus “Pig Valentine” on the Indolent label.  For a change, I’m not at this stage going to mention Peely (although the band did record 2 sessions for his show in 1996 & 1998).....instead I’m saying that the 2 singles were championed by Steve Lamacq, on his Radio One programme.  Another DJ, Los Angeles’ Rodney Bingenheimer of KROQ  FM, also liked the band and this resulted in the Dolls signing up with U.S. label Geffen Records. The band even made the UK Top 40 with their fourth single “Talk to me”, which for those eagle-eyed amongst you, featured the Newport Transporter Bridge.
 
The 60 Ft Dolls first LP was called ‘The Big 3’, to which the NME again chimed in with “As close to soar-away rock perfection as it’s possible to imagine”.....praise indeed!  Another periodical called Mojo, in 2003, referred to the album in their ‘Top 12 Britpop Albums of the 90’s’ as “A devilishly evocative document of the period”.  The group made Glastonbury in 1997 and opened for the Sex Pistols at their famous reunion gig at Finsbury Park in 1996.  They toured many towns and cities in the UK, Europe & Japan, but alas they were blighted  by alcohol problems, following three tours of America. They never toured again after 1997, but released a studio recorded second LP in 1998 called ‘Joya Magica’.
 
Yet more interesting facts have come to light for this blogger. First, the 60 Ft Dolls were included with Catatonia and a few others, in a House of Commons Early Day Motion, called  by Labour MP Paul Flynn, championing the virtues of Newport’s rock and roll credentials.  Second, Carl Bevan’s father, Pastor Ray Bevan once sang on the 60 Ft. Dolls’ ‘Let the spirit move you’ – a white label release.  The final interesting fact is that Welsh singer Duffy (remember her?) thanks Richard J. Parfitt for “changing her life” and kick starting her career to fame.
So, that’s the 60 Ft. Dolls, and the track I have asked lex to play is ‘Talk to Me', which can be found here.

24th May 2024

Click HERE to listen again or to download the podcast (downloading & playing is more reliable).

AI Johnny Cash - Barbie Girl
Mahmut Orhan & Colonel Bagshot - 6 Days
Sunscreen - Drain
Fitz And The Tantrums - Spark
Juice Webster - Black Coat, Black Skirt
Phoebe Go - Something You Were Trying
Demet Elloo - Yasanmayan Gunler Var
Воплі Відоплясова - Becha
Alice Phoebe Lou - Shelter
FISHER x AATIG - Take It Off [Explicit]
(Tune of the week)
Cyn - I’ll Still Have Me
Jasmin Larue - Extra Round
J.J. Cale - You Got Something
Disturbed - The Sound of Silence (CYRIL Remix)
The Bangles - Hazy Shade Of Winter
The Orbweavers - When it Rains in Broken Hill
Tom Petty & the Heartbreakers - I Won't Back Down

17th May 2024

Click HERE to listen again or to download the podcast (downloading & playing is more reliable). With Clumpton being on holiday, this week we have a 2 hour show!

Tanita Tikaram - Good Tradition
Raye - Regardless (With Rudimental)
Anna Kaenzig - Vespa
Jeremy Loops - Postcards
Alice Skye - Friends with Feelings
Tanga Wekwa Sando - 99-9-9-2-10
Christina Novelli - Memories
Dead Rooster and Kasha Saltsova - We Will Not Die In Paris
Mudhoney - Touch Me I'm Sick
Crawlers - Meaningless Sex
Hurray for the Riff Raff - Alibi
Real Estate - Say No More
Little Man Tate - You Rub Me Up The Wrong Way
Suede - Hit Me
The Snuts - Novastar
Ella Henderson feat. Rudimental - Alibi
Chic (feat. Nile Rodgers) - When You Love Someone
Noah Kahan and Sam Fender - Homesick
Foster The People - Pumped Up Kicks
The Sisters Of Mercy - This Corrosion
Vampire Weekend - Hope
Creme Soda - Keep It Heavy
The Dead Boys - Sonic Reducer
Stuck In the Sound - Let's Go
Helen Love - Staying In
Lemaitre ft. Jennie A  - Closer (UK Version)
Rival Sons - Pressure and Time
R. Missing - Heavens Lower
Jonathan Bree - You're So Cool
The Strokes - The Adults Are Talking
Wallows - Calling After Me
Declan McKenna - Brazil
The Unlikely Candidates - Novocaine
Foster The People - Imagination 

11th May 2024

Titus writes:
 
Many people think that Grunge music (or the Seattle sound as some have dubbed it), is something that happened in the 1990’s and was gone just a few short years later. Like most music genres, it began much earlier than people think. In Grunge’s case, it emerged in the mid eighties in the Washington State of the U.S. and tended to fuse together parts of punk rock and parts of heavy metal. Again I’ll use the clichéd term “Not a lot of people know that” when I say that Neil Young was often referred to by purists as “The Godfather of Grunge”
 
Talking of purists, many such folk have decreed that “bands should be guitar, bass & drums” theory. It was just that, but vocals were added and the guitar sound was distorted. Like many forms of music, its lyrics were protests, and covered such subjects as a desire for freedom,  social isolation, and psychological trauma. The record label Sub Pop was dominant in this type of music, and it marketed grunge quite cleverly, and indeed by 1990, its popularity extended to other parts of America, Australia and the U.K.
 
By far the most successful band of the era in my opinion, was Nirvana, although bands like Pearl Jam, Mudhoney, The Melvins and Alice in Chains also enjoyed huge following & loyalty from fans.  I liked it because it added to the appeal of alternative music, and when I first heard ‘Nevermind’, I just knew that it would be the rip-roaring success it became. The Melvins were known as the most influential of all of the early grunge bands, and they began writing slow & heavy riffs to form a dirge-like music that was the beginning of North West grunge. Early grunge bands have been known to copy a heavy metal riff, slow it down, play it backwards, distort it and bury it in feedback.  Like last week’s subject area for my blog – Grindcore –the lyrics had little melody to define some tracks.
 
Nirvana were influenced by punk, Pearl Jam by classic rock but both contributed significantly to grunge, attempting to counter the slick elegant sound of mainstream rock. Nirvana in particular, had a ‘stop-start’ format for their songs, which alternated between soft & loud sections.  The late Kurt Cobain of Nirvana used ‘offset’ guitars  like the Fender Jaguar, or Mustang which would produce a loud ‘sludgy’ sound, as opposed to the regular mainstream artists favouring Gibson Les Pauls or Fender Stratocasters. Grunge guitarists would generally use very loud Marshall amplifiers, and Dave Grohl of Nirvana – later of the Foo Fighters – would always use heavy distortion.
 
Many either all female, or female-led bands played grunge music too. Prominent names come to mind.....Courtney Love’s band Hole, L7, Babes in Toyland, Bikini Kill, Dickless, 7 year Bitch and the Lunachicks. It was Bikini Kill’s Kathleen Hanna who was the source behind one of Nirvana’s most popular songs ‘Smells like teen spirit’ which referred to a deodorant especially marketed for young women. In the U.K. perhaps the most notorious incident involving female bands,  was an appearance by L7 on the Channel 4 programme‘The Word’, whereon certain members of the band decided to strip off just before the end of the song ‘Pretend that we’re dead’.
 
After the euphoria of the Seattle sound, inevitably it experienced a decline, and by 1994 seemed to be fading fast.  The deaths of Hole bassist Kristen Pfaff from a heroin overdose, and of Kurt Cobain via suicide only served as a catalyst to grunge’s demise. Many bands broke up, and in 1996 Soundgarden and Screaming Trees released their final studio albums of the 1990’s. 
 
The track I have chosen for consideration by lex is Mudhoney’s ‘Touch me I’m Sick’, which was a pre-Nirvana anthem to some. I’d love to choose a Babes in Toyland track too, but perhaps another time.

10th May 2024

Click HERE to listen again or to download the podcast (downloading & playing is more reliable).

Kim Larsen v Joan Osborne v Michael Jackson - Smooth Criminal One of Us
Dear Seattle - idc
Sandie Shaw - Puppet on a String [80s-RADIOmusic REMIX]
Savage Garden - Chained To You
Boygenius - Not Strong Enough
Fontaines D.C. - Roy's Tune
Hadyukin Brothers - Consider the City
Spacey Jane - Sorry Instead
Jimmy Little - Randwick Bells
Blue Jeans - Cumbatter
Napalm Death - Nazi Punks Fuck Off
Napalm Death - You Suffer
Berat Toksöz - N'olur Ara
Lips & Strings - This Old Feeling
Weezer - Say it Ain't So
Chris Stapleton - Drunkard's Prayer
Cat Power - Fortunate Son

5th May 2024

Titus writes:
 
One genre I have not yet covered is grindcore/death metal. It is predominant in Europe and the U.S.A. although its growth from the eighties to now covers most places in the World. It’s a bit of a ‘Marmite’ genre – some, like me love it – others just dismiss it as “a row” and hate it.  I suppose it could be described as a fusion between hardcore punk & heavy metal, although its abrasive style also refers to it as being made up of thrashcore and crust punk. Either way, it gained popularity here in Britain in the late eighties, and is still immensely popular today, despite many cynics previously saying it was a ‘flash in the pan’ or ‘here today, gone tomorrow’.
 
Needless to say, John Peel latched onto it and promoted it, and early bands like Napalm Death (more about them later) have been credited by laying the foundations of the house of grindcore.  In this country, other bands sprung up like Extreme Noise Terror, Doom, Carcass, Bolt Thrower, Cradle of Filth, Doctor and the Crippens.  In America, it was Slayer, Brutal Truth, Agoraphobic Nosebleed, Pig Destroyer and Insect Warfare – all of these bands I hasten to add are ones that I personally recall – I’m sure there were, and are many, many more.
 
The main common denominator of grindcore, is the ‘microsong’ – usually much shorter in length than even the average punk or heavy metal ones.  The usual vocal style is variable to say the least.  It can be almost incomprehensible lyrics (in certain cases no clear lyrics exist), occasional screaming, growls & barks – mayhem! A good example of ‘microsongs’ is Carcass’s 1988 album ‘Reek of Putrefaction’ wherein there were 22 tracks, with an average length of under 2 minutes per track.
 
This leads me onto Napalm Death, who apparently support anarchism, humanism, socialism and animal rights.  Bassist Shane Embury said “As far as how this whole thing got started, we were really into Celtic Frost, Siege and The Swans. (hardcore & industrial bands). So we just created a mesh of all those things, and it’s just everything going at a hundred miles an hour, basically”.  The founder of Earache Records, Digby Pearson agreed, saying that Napalm Death “put hardcore and metal through an accelerator”. It was interesting that in 1988, the NME featured Napalm Death on their cover, declaring them “the fastest band in the World”.  Napalm’s ‘rivals’, Ipswich based Extreme Noise Terror, had been described as performing “A pissed off hateful noise with its roots somewhere between early discharge and disorder, with vocalists Dean & Phil pushing their trademark vocal extremity to its absolute limit”   One of the most bizarre E.N.T. happenings, was their appearance at the 1992 Brit Awards with the acid house group, the KLF.
 
Anyhow, back to Napalm Death, and short musical tracks. In 1987, the band’s first LP  ‘Scum’ proved influential for the grindcore ‘movement’, and together with their second album ‘From Enslavement to Obliteration’, sold around 400,000 copies.  50 tracks combined, too!  The band were recognised by ‘Guinness World Records’ as having the shortest single (called ‘You Suffer’) ever recorded, at 1.316 seconds long. They have made sixteen studio albums,  plus EP’s & Mini LP’s (I’m not sure of the difference between these), and perhaps the most notable was an E.P. entitled ‘Nazi Punks Fuck Off’, whereby the proceeds were donated to anti-fascist organisations. The record (a cover of the Dead Kennedys’ single of 1981) was inspired by Napalm Death touring South Africa in 1993, when they encountered a lot of opposition from many white supremacists, following the end of Apartheid. 
 
None of the original band’s original members have remained throughout, which for a group originally formed in the pre-grindcore days of 1981, isn’t surprising. The current line up is Shane Embury, Barney Greenway, Mitch Harris & Danny Herrera, and they seem to be more popular than ever, with a cult following of dedicated fans all over the World.  The two tracks I am requesting Lex to play are ‘Nazi Punks Fuck Off’ and ‘You Suffer’ which can be found here and here.

3rd May 2024

Click HERE to listen again or to download the podcast (downloading & playing is more reliable). Many thanks to Chris for this week's guest playlist:

Bob Vylan - Intro
Swell Maps - H.S.Art
pragVEC - Wolf
Metal Urbain - Panik
Los Campesinos! - Death to Los Campesinos!
Blundetto (feat. Clément Petit) - Love Me
Baxter Dury - Slumlord
Tappa Zukie - Judge I Oh Lord
Our Man From Odessa - SoftTransAuto
Cat Sith - Morok
Protomartyr - Ain't So Simple
Meat Beat Manifesto - Intermission
Sleaford Mods - Kebab Spider
Jazzanova - Fade Out
Abe Duque - Pounce
FEWS - 10 Things
Tripwires - Spacehopper
Gablé - Tropicool
Beak> - Brean Down
Vermillion Lies - Bad Man
Geoff leigh - Shah Of Iran
Exploded View - No More Parties In The Attic

* No "tune of the week" this week, cos they are all choons!