30th August 2024

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The New Roses - Attracted To Danger
Laura Marling - No One’s Gonna Love You Like I Can
Ronnie Wood , Keith Richards & Rod Stewart - Mystifies Me
Hinds - The Bed, The Room, The Rain and You
The Hives - Countdown To Shutdown
Katy J Pearson - Maybe
Katie Gavin - Casual Drug Use
Homer feat. Hether - Deep Sea
Lucius feat. Adam Granduciel - Old Tape
She Drew The Gun - Mirrors
Kanda Bongo Man & Fayatess (live KoraAward Sun City) - Billi 
(See below)
REYNA - Mexico
Blondshell - What's Fair
Ash - Petrol (Remaster)
Joanna Sternberg - A Country Dance
Radio Free Alice - Spain
Shinedown - A Symptom Of Being Human 

24th August 2024

Titus writes:

Kanda Bongo Man (the person) was actually born Bongo Kanda, in Inongo, Belgian Congo – now Democratic Republic of the Congo, in 1955 (blimey, he’s nearly as old as Lex and me!) and is perhaps the most famous of all soukous musicians. He actually became the singer for Orchestra Belle Mambo in 1973, but his solo career only took off in 1979 after he moved to Paris.  I mentioned him in my blog of 3 December last year when I talked about African music as a whole, and raved about a former guitarist of his, the great Diblo Dibala, who is arguably the greatest guitarist of the soukous genre.
 
Kanda Bongo Man (the band) has always been superbly led by KBM himself, who has played guitar and been the vocalist.  The previous approach was to have one guitar solo at the end of several verses of the song.  He turned out to be revolutionary, by implementing guitar solos after every verse, and even the occasional guitar solo BEFORE the first verse.  This gave birth to the Kwassa Kwassa dance rhythm – this is where the hips go back and forth, while the hands move to follow the hips, if that makes sense.  I see it now, as a veteran lover of Kwassa Kwassa, but I concede I didn’t just a few short years ago.  As I said, Kanda Bongo Man has been a leader of many musicians in his long career, most notably Diblo, who although a really vital cog in KBM’s well oiled machine, moved on to begin his own successful solo career.  Kanda Bongo Man still tours both in Western Europe, Scandinavia and North America.  Locally for Lex there was an appearance in 2005 at the ‘LIVE 8:Africa calling concert’ in Cornwall, and locally for me, KBM performed at the Shrewsbury Folk Festival in 2022.
 
Discography-wise, Kanda Bongo Man have made 20 albums, from ‘Iyole’ in 1981 to ‘Lekette Bue’ in 2022,  and they have been recorded live on countless occasions, which e.g. You Tube & Spotify have for your delight on their channels.  You will not be at all surprised when I say that in the Eighties, John Peel & Andy Kershaw championed the music of Kanda Bongo Man and were key figures in introducing what was then generalised as ‘World Music’ to the mainstream.  KBM did 2 session for John’s Show, in 1993 and 2003.  I remember at the Glastonbury Festival in 2003, John’s co-host Jo Whiley (who had a terrific respect for Peel), couldn’t understand why he had sloped off one day – the reason was quickly unearthed when the cameras panned in on him dancing away on the hill, enjoying Kanda Bongo Man’s live set.......amazing because the great man rarely danced!
 
To summarise, most people, including myself, find this type of music incredibly joyous.  When you watch a soukous video the happiness leaps out at you and the skilled musicians all seem to be immensely enjoying themselves.  I mentioned to you that I had ventured down on the New York Underground to Bleecker Street in Greenwich Village, to seek out ‘Kwassa Kwassa’ CD’s.  Nowadays that area of Lower Manhattan mainly houses night clubs, record shops and indie boutiques,  but back in the day was known as true American Bohemia.  At the risk of sounding repetitious, I could choose enough music here to occupy the whole of Lex’s show, but in choosing one song, I have decided that the live recording made for the Kora Awards in Sun City of ‘Bili’ is perfect for a Friday night (or any night).  This features Kanda Bongo Man himself on vocals, and Faya Tess, who after her ‘Keba’ album was voted the best singer in Central Africa.  The track can be found here.

24th August 2024

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Stones & Guns n' Roses & AC/DC-Sympathy For The Devil In Paradise City
Kat Von D - Fear You
David Gilmour - Dark and Velvet Nights
Empire Of The Sun - Changes
Beabadoobee - Beaches
The Detroit Cobras - Shout Bamalama
(See below)
The Smashing Pumpkins - Sighommi
Katy J Pearson - Maybe
The Warning - Automatic Sun
Bullitz23 - Burn
The Pretty Reckless - Take Me Down
Crack Cloud - The Medium
arXx - Trouble
Dizzy Panda & The Perics ft Younique - Sirens Of Sunny Beach
Ruce Nasi Dory - Chata 131

18th August 2024

Titus writes:

Surprisingly enough, the Detroit Cobras are from Detroit, Michigan, and were formed in 1994.  They are a garage band, whose original line up was Steve Shaw on guitar, Mary Ramirez on guitar, Jeff Meier on bass, Vic Hill on drums and the late Rachel Nagy on vocals, and this band signed up to Sympathy for the Record Industry Records, releasing their first album ‘Mink, Rat or Rabbit’ in 1998.  After what seemed one hell of a gap, three years later they released  their second LP ‘ Life, Love and Leaving’ .  Unlike most of the bands I have featured in this blog, the band mainly chose to do cover versions of records from the 1950’s & 1960’s, and you may remember that when Jack White collaborated with thirteen Michigan-based bands to form his ‘Jack White’s Sympathetic Sounds of Detroit’ compilation album, the Cobras contribution was a cover of Otis Redding’s ‘Shout Bamalama’.  Needless to say, Peely championed them.
 
The iconic London-based Rough Trade Records signed the band, ever mindful that their retro-garage rock sound was very popular in the United Kingdom.  An E.P. ‘Seven Easy Pieces’ was released in 2003 and a year later came their third LP ‘Baby’ – this album went against usual Cobras’ protocol, in that it included one original song, ‘Hot Dog (Watch me eat)’.  This album became unusual in that the U.S Record Label Bloodshot tagged the tunes on ‘Seven Easy Pieces’ onto ‘Baby’.  The same Record Company released the band’s fourth album ‘Tied & True’ in 2007 – for all of you F1 fans, this was the year that the great and the humorous Kimi Raikonnen won his sole drivers’ World Championship.
 
The band became infamous for constantly changing their line-up, although their classic rock guitar sound always featured Ramirez.  The Detroit Cobras spent much of 2008 touring, and in 2009 headlined a tour with the Dex Romweber Duo supporting them.  I lost track of them in the immediately succeeding years, although I gather that they still played gigs, usually in their home territory of Detroit.  In 2014 they toured the Midwest and then the West Coast of the U.S.  In 2018 they broke with tradition, playing a couple of festivals in Germany and Spain, and the following year did an extended European Tour.  You won’t be at all surprised to learn that a 2020 tour was cancelled because of the Covid 19 Pandemic.  A 2022 tour was also cancelled in January due to the sudden death in New Orleans of co-founder member Rachel Nagy, who was just 48 years old.  It was such a sad loss, as Nagy was a captivating performer known for her magnetic voice and unbelievably strong personality.  The band put on a Rachel Nagy celebration show in August 2022, which was held in Detroit and the format of this show was so successful that the band reunited to repeat it at many West Coast venues.
 
The current line-up of the Detroit Cobras is Marcus Durant on lead vocals, Steve Nawara on guitar, Dale Wilson on bass, Kenny Tudrick on drums, and as they say “last, but by no means least” original co-founder Mary Ramirez on guitar. (Mary’s a.k.a. is Mary Cobra, fittingly).  To underline me bringing to your attention the constant changing of personnel within the band, no less than 31 members supplementary to the current line-up have played in some form for the Detroit Cobras.
 
I’ve referred to the LP’s & EP’s released by the band, and they also released nine singles between 1996 and 2018.  In addition, Munster Records have released an LP, CD and vinyl 7” single box set entitled ‘The Original Recordings (Singles and Unreleased 1995-97)’ as a compilation.  Like I have intimated in previous blogs, as a fan of many years, I am spoilt for choice when just making a request to Lex for just a single track......but I am going to choose (in dedication to Rachel) the Otis Redding penned ‘Shout Bamalama’ from the ‘Life, Love & Leaving’ album, which can be found here.

17th August 2024

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Jack White - That's How I'm Feeling
Th&o. - Lonely? (Come Along)
Nightwish - Dead Gardens
Alice Phoebe Lou - The World Above
Wax Audio - Sad But Superstitious (Stevie Wonder + Metallica Mashup)
Still Corners - Let's Make Up
Band-Maid - Dice
The Black Keys - Fever
Magana - To My Love
Freiwillige Selbst Kontrolle (F.S.K.)  - I Wish I Could Sprechen Sie Deutsch
Chastity Belt - It's Cool
Milo Korbenski - Rooster
La Luz - Poppies
Skindred - The Fear
Beyoncé - Bodyguard 

11th August 2024

Titus writes:

This is a slightly unusual story about a band that was formed as long ago as 1980, but who have had two distinct styles.  In its early days, this German band was linked to the avant-garde Neue Deutsche Welle (German New Wave), but since the mid nineties FSK have been associated with Techno & House music, recording in Uphon Studios, Weilheim, Bavaria.  The band is Freiwillige Selbst Kontrolle or F.S.K. as they are generally known these days, and their name translates as “voluntary self control”.
 
From the mid eighties, influential DJ John Peel loved this group right up to his death in 2004, with six sessions recorded.  They put their own distinctive take onto a famous song called ‘My Funny Valentine’ and since this was recorded as part of a session in 1992, John played this track on or around February 14, each year.  FSK were influenced by the indie British music scene at the time.  They were signed to Zickzack records, whose owner was German music journalist and punk rock fanatic Alfred Hilsberg, and they more often than not, played their music with David Lowery of Camper Van Beethoven.  This guy just happened to have his own studio in Richmond, Virginia. 
 
The band’s members consist of Thomas Meinecke, Michaela Melian, Wilfred Petzi, Justin Hoffmann, Carl Oesterheld and as I said above, on occasions David Lowery.  Meinecke, Melian, Petzi and Hoffmann were all contributors to the German underground magazine ‘Mode und Verzweiflung’ (fashion & despair). I won’t painstakingly go through each single/EP/LP they made because they equate to PLENTY, but one is particularly worthy of mention from 2006.  FSK were one of 29 bands to contribute to ‘Silver Monk Time – A Tribute to The Monks’ which was a compilation album about the German-American band, released on the Play Loud label. The album was also a soundtrack to the film ‘Monks – The Transatlantic Feedback’.
 
Some band members of FSK are, as a generalisation, linked to the arts. Thomas Meinecke as a novelist, Michaela Melian as a Professor at the University of Fine Arts of Hamburg, Justin Hoffmann as Director of the Wolfsburg Arts Society and Wilfred Petzi as a photographer. You read previously that the band made six Peel Sessions, and all have since been released on Strange Fruit Records.  JP penned the sleeve notes for FSK’s 1987 LP ‘Continental Breakfast’ and said “ Thomas Meinecke and Michaela Melian once explained FSK’s philosophy to me over a bottle of wine.  Something to do with all of pop music having been already written & performed, leaving deconstruction and reconstruction as the only course forward.   Not sure that I’ve got that absolutely right, but the results that you can hear are most entertaining”. Peel also noted in 1992 that the band had done more sessions for his Radio One programme than any other non-UK band.
 
Personally I find FSK a most entertaining band, both in their former guise and current one, and the track I have requested lex to play is perhaps part of their greatest ever work. It could be described as tongue-in-cheek slant on any non German, wishing to learn that language, and is called ‘I wish I could sprechen sie Deutsch’ (which may be found here).  Some misguided folk seemingly used to insist that the Germans have no sense of humour – nonsense, FSK  and this track are genuinely funny!

9th August 2024

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Girls of the Internet feat. Ruti - Shaken To My Soul
Yaeji - Raingurl
King Hannah - Big Swimmer
Soccer Mommy - M
The Pretty Reckless - Light Me Up
Silver Biplanes - Parallel World
La Luz - Call Me in the Day
Nightwish - Dark Chest Of Wonders
Blossoms - Ode To NYC
Marika Hackman - Big Sigh
Monkie Mind - Surrealio
Amaranthe - Burn With Me
The White Stripes - Fell In Love With A Girl
The Lemon Twigs - My Golden Years
Angelina Petrosova - Tantsuyushchiy Ostrov (Dancing Island)
Frozen Crown - Neverending

5th August 2024

Titus writes:

I first saw Blossoms on television in 2022, when they were performing at the Isle of Wight Festival, deeming them pretty darned good, and I haven’t changed my opinion of them since. They named the band after the pub ‘The Blossoms’ in their home town of  Stockport, Greater Manchester – the same town that our new Deputy Prime Minister Angela Rayner hails from - still, we won’t hold that against them.  They have curiously therefore, played as Blossoms at ‘The Blossoms’. They were formed in 2013, and their first self titled LP was one of 12 nominated for the Mercury Music Prize in 2017, plus they were nominated for British Breakthrough Act at the Brit Awards that same year.
 
In my well read series “Not a lot of people know that”, I must inform you dear reader, that all of the original members lived within two miles of each other whilst growing up.  When at secondary school, they became admirers of Manchester bands like Oasis and the Stone Roses.  After secondary school, members Joe Donovan & Tom Ogden gained employment at the Alma Lodge Hotel, and this handily acted as the venue for the early Blossoms.  You will see on the front cover of their debut album, a picture of a scaffolding yard.  When Charlie Salt joined the band, his grandfather owned the yard, and they used this for rehearsals free of charge.
 
In the Spring of 2014, they signed to Skeleton Key Records, and in July of that year, opened for James at Castlefield Bowl to 8,000 people. They went on to play more festivals in 2015, and recording for their debut album took place that same year, announcing in January 2016 that all recording was complete.  While on a third headline tour, Blossoms were rocked to the core when all members from support band Viola Beach and their manager died in a car crash.  The debut album was finally released in August 2016, and surprisingly gained top spot in the UK Albums Chart.  As part of “We are Manchester”, the band performed at The Manchester Arena in September 2017, to mark the re-opening of this venue following the infamous terror attack, three months previous.  The band have gained more and more popularity, and played a homecoming tour gig at Edgeley Park, Stockport, home of Stockport County Football Club, having sold out every ticket in under an hour.  Ian Brown of The Stone Roses became a fan of Blossoms, and the two bands performed at The Etihad Stadium in Manchester.
 
Following the covid pandemic, Blossoms shocked everyone by teaming up with eighties legend Rick Astley in 2021, whereby they performed Smiths’ songs and in 2023 went on to play Glastonbury with him. The band have released four albums – ‘Blossoms’, ‘Cool like You’, ‘Foolish Loving Spaces’ and ‘Ribbon around the Bomb’ and a fifth album ‘Gary’(dedicated to an 8 foot model of a gorilla at a nearby Garden Centre) again featuring Rick Astley, is due for release in September this year. The band’s personnel are Tom Ogden, Charlie Salt, Josh Dewhurst, Joe Donovan and Myles Kellock.  To my mind, they have that outstanding quality of being able to brilliantly perform material from studio albums live.  Whether they have any future plans to play music with Rick Astley is anybody’s guess, but you have to admit, it was an interesting concept.  I like most of Blossoms’ work and am requesting lex to play ‘Ode to NYC’ from the ‘Ribbon around the Bomb’ LP which can be found here.

2nd August 2024

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Powerwolf - We Don't Wanna Be No Saints
Osmanthus - These Scars
The Hot Damn! - Automatic
Glass Animals - Show Pony
New Way Punk Rock - Ścieżka
Cannons - Sweeter
The Von Bondies - Lack of Communication
Ad Infinitum - My Halo
Humanist - Keep Me Safe
The Castellows feat. Wyatt Flores - Sober Sundays
Vicious Bishop feat. Andy Ellison - She's So Dissatisfied
Chastity Belt - Hollow
Frank’s White Canvas - Apocalypse
Halsey - Lucky
Lonely God - Marlboro Nights
Orville Peck & Beck - Death Valley High
Back From Zero - Grind