30th March 2025

Titus writes:

The three piece indie rock band Honeyglaze hail from South London. and were formed by Anouska Sokolow, Tim Curtis and Yuri Shibuichi.  They released a self titled album in 2022, followed by a second, ‘Real Deal’ in 2024. Anouska is the vocalist and plays guitar; Tim plays bass and Yuri drums.  Anouska was originally a solo artist, but having met up with the other two shortly before the Covid 19 pandemic, they decided to form a band, and worked on their debut LP at a place of isolation.  Upon watching one of their early You Tube videos, producer Dan Carey signed them to his label Speedy Wunderground.  They recorded and released a single ’’Burglar’, and festival-wise, the trio  performed at Green Man and Swn in Wales.   Prior to the release of their first album, the band released the track ‘Shadows’ which was co-directed by the band Sorry, who rather spookily I was originally going to compile my blog on, prior to listening to Honeyglaze.  The self titled LP hit the top spot in the Independent UK Album Breakers Chart.
 
Honeyglaze were soon to support Wet Leg on the UK leg of their 2022 tour, and they also opened the ‘BBC Music Introducing Stage’ at the Reading and Leeds Festivals.  They also gained valuable festival experience by appearing at the Great Escape Festival, the Victorious Festival and the Latitude Festival. The band signed up with Fat Possum Records in 2024. and it was on this label that they released their second album ‘Real Deal’.  In fairly quick succession they released from the album,  the singles ‘Don’t’, Cold Caller’ and ‘Pretty Girls’, and it was the video for ‘Don’t’ that was nominated for Best Rock / Alternative Video Newcomer at the 2024 UK Music Video Awards.
 
The band was asked about what particular influences they used when compiling their debut self-titled LP, and the members replied that Brian Blade & the Fellowship Band, Sasami, Squid, Dirty Projectors and Puma Blue played a big part.  Specifically Sokolow stated that she admired the strong vocals of Angel Olsen and Adrianne Lenker. Now shamefacedly, despite my love of new & alternative music, I have to admit that I haven’t heard of any of these people!  Redemption time though, because when Honeyglaze were asked to name their influences for the ‘Real Deal’ album, they named the Zombies rhythms, Destiny’s Child’s riffs (really?), and unbelievably Scott Walker’s songwriting.......guess what?  I’ve heard of all three!
 
‘The Guardian’ described the band as “One to watch” and seemed to note a Titus ‘Not a lot of people know that’ fact when they disclosed that Honeyglaze only became a band three days before their first gig, when Sokolow realised that she badly need back up. I suppose you could say that Tim Curtis and Yuri Shibuichi ended up sticking around  MUCH longer than originally intended. When looking back a few years, Sokolow rather simplistically summed things up by apparently stating that she felt that she had suddenly become an adult, was in need of a job, and was going to be a full-time musician! Having listened to both albums, I personally think that whilst the first record is good, ‘Real Deal’ marks real progression.  I have requested Lex to play ‘Ghost’ from this, which can be found here.

28th March 2025

Downloading & replaying is discontinued. However, tracks played on Friday evening were:

The Three Shif'less Skonks - Pukin' My Heart Out Over You
Wiley - Wearing My Rolex
Panda Bear - Ends Meet
Rocket - Take Your Aim
Neiked (feat.Latto) - I Just Called [Majestic remix]
METALEX - Letz Do It
Barry McGuire - Eve Of Destruction
Stevie Nicks feat. Tom Petty & The Heartbreakers - Stop Draggin' My Heart Around
Blondshell - T&A
Heavy Lungs - Yes Chef
Perfume Genius - It's a Mirror
Sofie Royer - Babydoll
Jacob Alon - Liquid Gold 25
Waxahatchee - Mud
Automatic Mode - We Hate You Please Die
Lizzy McAlpine - Headstones and Land Mines
(See blog by Titus below)
The Buzzcocks - Love You More
Marcel - Task Force Diane 

My best ever playlist IMHO, with lots of new and exciting music. Sadly IRC was dead.  Very disappointing.

24th March 2025

Titus writes:

First, Anne & I would like to sincerely thank Lex for allowing us to form a joint playlist for last week’s show. It was great to hear some of our favourite tunes played on Uknova radio, and I was delighted to dedicate  a Brandi Carlile track to my wonderful cousin Melanie, who is a fan of this talented artist.  As always, during this last week I have listened to many tracks from (mainly) new-ish bands and artists, and I have been particularly impressed by an American singer/songwriter, whose work had previously escaped these old ears – Lizzy McAlpine.
 
Elizabeth Catherine McAlpine was born in September 1999, to father Mark McAlpine and mother Robin Lacey.  She grew up in Narberth, Pennsylvania in the suburbs of Philadelphia with her sibling Emma and has written music since she was in 6th grade.  Lizzy studied songwriting at Berklee College of Music in Boston, before leaving in her junior year to pursue music on a fulltime basis.  Devoted father Mark passed away suddenly, of natural causes on 13 March 2020, and since then Lizzy has dedicated track 13 to him, on each of her three albums.  These are ‘Headstones and Land Mines’ from her first album ‘Give me a minute’; ‘Chemtrails’ from her second LP ‘Five seconds Flat’; and ‘March’ from her latest album ‘Older’.  The tracks reference him as the Earth, the Air and the Water respectively.  To me, she shows broad similarity to another favourite of mine – Cat Power - who I seem to remember blogging about last year. She writes lovely lyrics, which often tell a sad story.
 
The ‘Dallas Observer’ said that her first album was “One of the best” of 2020, and the BBC Media Centre named her as “A talented up and coming artist”.  Several publications called her a “TikTok star” and even though Lizzy dislikes this title, it is a fact that by April 2021, she had over eight million views of a then unreleased song ‘You ruined the 1975’ on this platform.  I can hear you impatiently saying “But please tell us about the kind of music she actually plays”.......I would answer that she has been mainly referred to as an “Indie pop folk singer” , but personally I can also detect some bedroom pop, jazz and r & b.  Her collaborators include Jacob Collier, Dodie, Tom Rosenthal, Ben Kessler, Noah Kahan, Niall Horan and Finneas.  (Not a a lot of people know that Finneas, is the talented brother of Billie Eilish).
 
To promote her third album ‘Older’, McAlpine is embarking on a tour of North America and Europe in April 2025.  In addition to her three studio albums, she has made three EP’s and released around 24 singles either as lead artist or featured artist.   It seems to me that most, if not all of her songs’ lyrics are personal to her, and these lyrics are skilfully projected throughout her writing career. As one reviewer on YouTube said “All of your songs are so peacefully beautiful – thank you for giving us the pleasure of being able to listen to them”.   I like nearly all of the songs on the three albums, but have asked Lex to play ‘Headstones & Land Mines’ which in my opinion is a beautifully sad way to end her first album. It can be found here.

21st March 2025

Downloading & replaying is available for this week only! The link is here. Tracks played were:

The Last Dinner Party - This Town Ain’t Big Enough For Both Of Us [On The Road]
Samuel Sim (Feat. STORME) - The Bay (Sound Of Faz Remix / Re-Composition)
The Castellows - Hurricane
Pacifica - Closer
FUZZRIDER - Black Snake Boogie
Dirty Blonde - Don't Cry (It Doesn't Suit You)
John Mayall & The Bluesbreakers - Walking On Sunset
Brandi Carlile - You And Me On The Rock
[Dedicated to Melanie]
Half Man Half Biscuit - Twenty Four Hour Garage People
The Jompson Brothers - On The Run
Velvet Rush - Euphonia
Diblo Dibala - Sucré Fermé
The Last Dinner Party - Call Me
The Castellows - Red Dirt Girl
Amy Macdonald - This is the Life
Sweet - Fox On The Run

Massive thanks to Titus & Anne for this guest playlist <3

14th March 2025

Downloading & replaying is discontinued. However, tracks played on Friday evening were:

Julien Baker & Calvin Lauber (feat. SOAK, Quinn Christopherson) - Get Me Away From Here, I'm Dying
Jock - Joe Duffy
METALEX - Rebel Waves
Theo Rose x Nicolae Guta x Don Genove - A Venit Politia [Deejay Killer Remix]
Belle and Sebastian - The Party Line
Franz Ferdinand - Audacious
Isobel Campbell & Mark Lanegan - The Circus is Leaving Town
State Champs - Light Blue
The Charlatans - Can't Get Out of Bed
Lambrini Girls - Company Culture [Explicit]
Wunderhorse - Cathedrals
(See blog by Titus below)
Daft Punk (feat. Julian Casablancas) - Instant Crush  
León Cardona y Los Internacionales - La Noche
Ladyhawke - My Delirium
Sharon Van Etten - Seventeen 

9th March 2025

Titus writes:

Wunderhorse have connections to Newquay, Cornwall, which as I’m sure you know isn’t a million miles from my good friend Lex’s adopted home. They are led by Jacob Slater, who, having left home at the age of seventeen, lived in London for five years and then after his band The Dead Pretties split up, he moved to Newquay (for those of you who are asking “why?” – I’m sorry to say that I don’t know).  In Newquay he found odd labouring jobs and worked as a surfing instructor, whilst in his spare time, he wrote music.  During this time, Slater landed an acting role, playing the great Paul Cook of the Sex Pistols in the mini series ‘Pistol’ , which was directed by Danny Boyle.  Jacob cited Neil Young and Joni Mitchell as musical influences – this guy’s got class!
 
Wunderhorse was formed during the Covid 19 pandemic as a solo project, and when asked about the name ‘Wunderhorse’, Slater informed the Press that it came from the 1950’s TV programme ‘Champion the Wonder Horse’.  You won’t be at all surprised that I remember this programme well, and I’m pretty sure Lex will as well.  It used to be a major talking point at our Primary School, which was originally called Tettenhall C of E. School.  Jacob then joined with Jamie Staples (vocals, guitar),  Pete Woodin (bass),  and Harry Tristan Fowler (guitar) to form what is now the band Wunderhorse.   Now not a lot of people know that Harry Fowler is the son of the legendary Kim Wilde, I honestly joketh not.
 
The Band’s first album ‘Cub’ was released in October 2022, on Communion records, and the songs therein were all written by Jacob Slater.  The LP was was critically acclaimed as being one of the best of that year, by the N.M.E.,  Riot and Far Out, and the album was described respectively as “A warming blues/garage/indie fire, best enjoyed in its entirety and at high volume”  “a brilliant catalogue of teenage life – ill fated love, drugs, self destruction, depression, as well as youthful joy – all to a rousing soundtrack that harks back to the 90’s” and “melodic reflection from a man growing into himself”.  2022 was quite a year for the band, as apart from the success of ‘Cub’, they toured as supporting act for other bands Fontaines D.C., The Pixies and Foals.  A tour of the U.S. followed in the Spring of 2023 and Wunderhorse played Glastonbury in the Summer of that year.  I see from the provisional line up of Glasto ‘25, that they are scheduled to play there on the Friday of the Festival.
 
Last year, Wunderhorse released their eagerly awaited second album ‘Midas’ – on 30 August 2024 to be precise, and again it was on Communion Records.  It was produced by former Rolling Stones producer Craig Silvey and was preceded by the release of five singles, all of which are on the ‘Midas’ album.  Like ‘Cub’, ‘Midas’ received critical acclaim from the music press and charted at number six in early September ‘24, in the U.K. Albums Chart.  I have avoided the five singles in my choice of track, and have requested Lex to play ‘Cathedrals’, which can be found here.  It is perhaps the most divisive track on the LP, as Reddit  comments have ranged from “ 10/10 Banger with great guitar riff” to “the weakest track on the album”.  Personally I love the lyrics & guitar riff, so give it a few tries!

7th March 2025

Downloading & replaying is discontinued. However, tracks played on Friday evening were:

MetaLex - Rebel Waves
Paramore - Misery Business
Cleo Sol - Fear When You Fly
Pecho E' Fierro - Metalúrgico
Billy Idol - Super Overdrive
Luvcat - Dinner @ Brasserie Zédel
MetaLex - Rebel Waves (~encore~)
Jimmy Eat World - The Middle
Katy J Pearson - Save Me
Pink Sky - Infinity Song
Snow Patrol - One Night Is Not Enough
Dirty Blonde - Rush
(Please read what Titus says below).
Blue Lake - Weft
Jaakko Eino Kalevi, Ultraflex - Never Forget My Baby (Jaakko Eino Kalevi Pastoral Rodeo Remix)
King Krule - Time For Slurp
Amy Rigby - Dylan in Dubuque
The Cult - She Sells Sanctuary (Remastered)

2nd March 2025

Titus writes:

I have been listening to several new bands this week, and whilst some seem ok, Dirty Blonde have really impressed me above all others, so I hope you like them too.
 
They are Mancunians Ailis MacKay (vocals and guitar) and Hayley Tait (lead guitar), and they tend to use their own backing musicians for their live gigs and some studio work. They are described as representing a cool rock Northern vibe, with a twist of punk – a bit like Blondie before they became popular.  Ailis is slightly more specific however,  and says that they have an ‘Oasis meets Grunge’ feel – she is a former drummer who sometimes returns to drumming,  and loved Nirvana’s percussion.  After both going to Uni, the pair met on Instagram, whilst doing some part–time work at a circus.  Ailis had her little vlogging camera plus her sound engineering degree,  while Hayley had a degree in videography, so they managed to get started by writing and recording a couple of singles – ‘Run when I tell you’ and ‘Come over’. (The former is a gritty song with big riffs, that really resonates at the band’s live gigs).  Then came ‘Don’t cry, it doesn’t suit you’, which has a positive melodic rock vibe, superseded by a great riff, mid stream.  It is a song about people only being sorry when they’re caught out, and when Dirty Blonde play this live many people are surprised by the way the riff kicks in out of nowhere.  I believe that this track was the first time they had ever filmed a video, and even now, they film all music videos themselves.
 
Despite the increasing presence of AI, the duo quite rightly believes that there is always human creativity which can think outside the box which AI never can.  This group have cut a swathe across the North, and their first EP ‘Favourite Record’ won critical acclaim from the music press.  A song ‘Northern Twang’ appeared, which is all about charging head-long into obsession, and warns that even when something feels right, it isn’t always actually right.  The duo comment  ”it’s all about overlooking red flags because someone’s fit” !  They elaborate further in a later single ‘Polly’ questioning whether falling in love is a gentle trip or a hard push into the romantic abyss.......oh, the beauty of being young!
 
Individually, they had different routes that led them into being Dirty Blonde.  Hayley wanted to be Mark Ronson and Ailis wanted to be Dave Grohl.  When they’re writing songs, they like to make sure that they like the song, by stripping it back to acoustic mode.   If it still sounds good then, they are reassured that they won’t be hiding behind any production technique.  Talking of production, Ailis has self produced certain tracks and has used the help and expertise of Gareth Nuttall at The Lounge to amplify e.g. demos.  Both girls are inspired by fellow new and upcoming bands who are reinventing the wheel.  They are really developing musically and it really is no surprise that they are gathering so much positive attention.  You probably remember me raving about the talent of The Last Dinner Party, and I can honestly see Dirty Blonde (who started gigging a little later) emulating them.  I believe they are destined for big things, particularly more festivals.
 
Thus far Dirty Blonde have earned a reputation for punchy guitar & vocal work, plus powerful live performances. They bring a fresh and nostalgic take on alternative music, and they are defo ones to watch – quite literally!  I have requested Lex to play ‘Rush’ from the new  EP ‘Looking for Trouble’, scheduled for release on 17 April and it can be found here.

1st March 2025

Downloading & replaying is discontinued. However, tracks played on Friday evening were:

Sultans Of Ping F.C. - You Talk Too Much
Soccer Mommy - Driver
Gerry Cinnamon - Canter
Orchéstre Baka Gbiné - Kopolo
Peach PRC - Josh
Jesse Welles - That Can’t Be Right
Celtian - Hasta el Final
(Please read what Titus says below).
Half Man Half Biscuit - Joy Division Oven Gloves
Marissa Nadler - Drive
Tracy Chapman - The Promise (2015 Remaster)
Manic Street Preachers - Hiding in Plain Sight
The Limiñanas feat. Bobby Gillespie - Prisoner of Beauty
Marvin Gaye - Sexual Healing (Kygo Remix)