29th November 2024

Downloading & replaying is discontinued. However, tracks played on Friday evening were:

Sultans Of Ping F.C. - You Talk Too Much
Mary In The Junkyard - This Is My California
The Pill - Scaffolding Man
K.D.Lang - Constant Craving
The Beaches (live) - If A Tree Falls
The Marmalade - The Ballad of Cherry Flavor
Nightbus - Average Boy
Spell - A Waxing Moon Over Babylon
Madness - Un Paso Adelante
PJ Harvey - Seem an I
Bleachers - Tiny Moves
Marjana Semkina - We Are The Ocean
Marie Davidson - Sexy Clown
The Strike - The Getaway
Almost Vinyl - Have You Tried Not Being A Prick?
The Black Keys - Only Love Matters 

23rd November 2024

Titus writes:

The Beaches were formed in Toronto over ten years ago and are a Canadian all-girl band.  As in most of the blogs that I compile, their line-up has changed, but is currently Jordan Miller, Kylie Miller, Leandra Earl and Eliza Enman-McDaniel.  Despite recording 2 EP’s in the 2010’s, it wasn’t until 2017, having signed to Universal Records, that they released a debut album, called ‘Late Show’, which was a big success, leading them to win the 2018 Juno Award for Breakthrough Group of the Year.  At its birth, the band members knew each other well, as in their early teens, sisters Jordan & Kylie plus Eliza, got together with Megan Fitchett to form Done with Dolls.  In 2013 Fitchett was replaced by Leandra Earl, and the quartet renamed the band after the Toronto neighbourhood, where the sisters and Enman-McDaniel grew up.
 
From that first LP referred to above, two singles were released ‘Money’, and then ‘T Shirt’ which peaked at No. 1 in the Billboard Canada Rock Chart – I think that’s a first for this blog!   Now, not a lot of people know about a couple of facts here.......( i ) The Beaches opened for the Rolling Stones’ 2019 ‘No Filter’ tour, for their sole Canadian appearance.  ( ii ) Bizarrely and by way of direct contrast, The Beaches provided the pre-game entertainment for the 107th Grey Cup in Calgary.  Strange but true, so please trust me. 
 
After recording two more EP’s, the band announced that their second album ‘Blame My Ex’ would be ready for September 2023.  From this album, the band released as a single ‘Blame Brett’ (which was based on the relationship break up of Jordan Miller and Brett Emmons of The Glorious Sons), and this emulated ‘T Shirt’ by reaching No. 1 on Canada’s Billboard Rock Chart.  Success seemed  to follow the band in that ‘Blame My Ex’ was not only shortlisted for, but also won the Juno Award for Rock Album of the Year.  ‘Blame Brett’ went viral on Tik Tok.  It was described by Billboard as “poppier than their previous releases, with the heavy guitar tone swapped for reverb”. The single received airplay on Sirius channels, and was also played by many American Terrestrial radio stations.  Mainly due to the success of this single and album, the band embarked on a North American tour in 2023, including a performance at the World–famous Lollapalooza.  The tour was mostly sold out and introduced a much younger audience to them.  Broadly speaking, I remember the self-same thing happening to my hero John Peel.   In his ‘punk-loving’ years, the average age of his audience considerably shrunk, but the actual numbers listening to the great man at least doubled.
 
A Compilation Album called ‘Sisters not Twins’ (The Professional Lovers Album) won the Juno for Rock Album Of the Year in 2022, which combined material from their EP’s, ‘The Beaches’, ‘Heights’, ‘The Professional’ and ‘Future Lovers’, and this compilation was well received by the music press and fans alike.  In addition to the three albums and four EP’s, the band have released sixteen singles and nineteen official music videos.  Their music genre has been described as “Indie rock – dance rock – post punk revival – garage rock revival”, but I would simply put them in my “good” category.  The track I have asked Lex to play is the live Coal Sessions version of ‘If a tree falls’, originally from their second album ‘Blame my Ex’, and this can be found here.

22nd November 2024

Downloading & replaying is discontinued. However, tracks played on Friday evening were:

Night Wilds - The Show
Adrianne Lenker - No Machine
Ultimate Dance Remixes - Blow Me One Last Kiss (Remix)
Soko - First Love Never Die
Amberkin Tribe - Romija
Sophie Royer - Babydoll
Dub Sex  - North by North-East (John Peel Session)
Max Blansjaar - Anna Madonna
Ploho - Я буду жить для тебя
Elia y Elizabeth y Franc Moody - Alegría (Franc Moody Remix)
Novelistme - Open Hearts (For Open Parks)
Jessica Pratt - Life Is
The KLF (Live at Trancentral) - What Time Is Love?
(See "Titus writes" below)
Almost Vinyl - F**k Off That's Not My Job [Explicit]
Les Chouettes - Letter Lettre
Banners - Someone To You
The Chameleons - One Flesh
Marilyn Manson - Meet Me In Purgatory

17th November 2024

Titus writes:

The KLF are one of the most obtuse, anti-establishment, anti-commercial bands I have ever encountered, and I’m sure I speak for many others who hold similar opinions.  KLF actually stands for Kopyright Liberation Front, but the band have also been known as The Timelords, The Justified Ancients of Mu-Mu, the JAMS, K Foundation, 2K, and K2 Plant Hire.  They originated in Liverpool & London and pioneered a genre called Stadium House, which was in effect rave music with a pop-rock production plus sampled crowd noise.  Their founder members were Scottish musician Bill Drummond (a.k.a. King Boy D) and English musician Jimmy Cauty (a.k.a. Rockman Rock), and they remain to this day.  Not a lot of people know that Cauty co-founded cult band The Orb, who were championed by John Peel.  During the 1990’s the KLF produced many chart hit records, such as ‘3 a.m.Eternal’, & ‘Last Train to Trancentral’ (that is not a spelling mistake – this is the way they chose to spell what was the name of their studios).
 
They frequently indulged in cynical, anarchic or situationist manifestations – none more so than their ‘farewell’ performance at the 1992 Brit Awards.  Here, the band appeared with one of my favourite grindcore bands Extreme Noise Terror, and performed a version of ‘3a.m. Eternal’.  It was Drummond’s original intention to disembowel a dead sheep onstage, but this intention didn’t come to fruition due to Extreme Noise Terror’s vegetarian beliefs, and also the intervention of BBC Lawyers.  The appearance of the KLF & ENT, was concluded by Drummond firing blanks from an automated weapon over the heads of the crowd! Promoter and Narrator Scott Piercing announced over the public address system “The KLF have now left the music business”.  Later that evening the band dumped the dead sheep at the entrance to one of the post awards parties with the message “I died for you – bon appetit”.  In another bizarre piece of anarchy on 23 August 1994, on the Island of Jura they burnt a million pounds in cash in protest about the corrupt music industry, but vowed to be back within 23 years.  I somehow think that the number 23 was important to them.
 
In the weeks following the Brit Awards, the band issued a statement confirming their retirement and the deletion of their back catalogue. “We have been following a wild and wounded, glum and glorious shit but shining path these past five years. The last two of which has led us up onto the commercial high ground. We are at a point where the path is about to take a sharp turn from these sunny uplands, down into a netherworld of we know not what.  For the foreseeable future there will be no further record releases from us – as of now all of our past releases are deleted and if we meet further along , be prepared – our disguise may be complete”. Select magazine called it “The last grand gesture.  The most heroic act of public self destruction in the history of pop”.  The anarchist band Chumbawamba apparently expressed their admiration for the KLF’s anti commercial stance.  The KLF’s Brit Award Statuette was later found buried in a field near Stonehenge.
 
Twenty three years after the burning of a million pounds,  the KLF kept to their word and arrived in Liverpool in typical style.  At 23 seconds past midnight on 23 August 2017, Drummond & Cauty appeared in an Ice Cream van with Ukrainian insignia to kick start their own version of book signing, followed by three days of obscure events, like selling goods (such as a Starbucks’ cup) at £20.23 per item.  A 2017 piece in The Guardian noted that “In the 23 years since their disappearance, nobody else has come up with anything that matches the duo’s extraordinary career”.  Everything in this article aside, it’s the music that matters to me and I always felt that the band made pretty darn good records.   I have asked Lex to play ‘What time is love?’ from the ‘White Room’ album which can be found here.

15th November 2024

Downloading & replaying is discontinued. However, tracks played on Friday evening were:

Amyl And The Sniffers - Security
Collective Soul - Shine
The Struts - I Won’t Run
Michael Kiwanuka - The Rest Of Me
Paramore - Misery Business
Bolis and Salah Pupul - Ma Tau Wai Road
Kissin' Dynamite - My Monster
Sarah Shook & the Disarmers - Give You All My Love
Haux - Seaside
The Interrupters - She's Kerosene
Halestorm feat. Ashley McBryde - Terrible Things
The Baby Seals - ID'd at Aldi
Serge Gainsbourg - Les Sucettes
(See "Lex writes" below)
The Pill - Bale of Hay
The Fleas - Shut Up & Have A W@nk
Nellie Pitman - First Date Farts (Don't Shit, Don't Shit, Don't Shit)
Cumgirl8 - Mercy

9th November 2024

Lex writes:

Titus is away on holiday this week, so sadly no blog from him. However! On next weeks' playlist I have a  Serge Gainsbourg tune, so I thought I would post a few words about his life, career and legacy (courtesy of CHATGPT)....

Serge Gainsbourg (1928–1991) was a groundbreaking French singer, songwriter, actor, and provocateur whose impact on music, film, and French pop culture is still deeply felt. Known for his eclectic style, Gainsbourg was a chameleon of the music world, blending genres from chanson and jazz to reggae, rock, and electronic music. His lyrics, often filled with dark humor, sensuality, and controversial themes, made him both adored and criticized. Gainsbourg’s career spanned over four decades, and his legacy includes his role as a master lyricist and a significant figure in popularizing and evolving French pop music.

Born Lucien Ginsburg to Russian-Jewish immigrant parents in Paris, Gainsbourg’s early life was marked by the trials of living under Nazi-occupied France. His family fled Paris during World War II to escape anti-Semitic persecution. Originally trained as a painter, Gainsbourg only turned to music in his twenties, starting his career in small clubs before gaining a following.

Gainsbourg released his debut album, "Du Chant à la Une!", in 1958, showcasing a unique blend of French chanson and jazz. His lyrical style was quickly recognized for its wit, sophistication, and often scandalous content, which would become his trademark.

In the 1960s, he collaborated with popular artists like Brigitte Bardot, and later Jane Birkin, who would become his long-time partner and muse. His 1969 song with Birkin, "Je t'aime... moi non plus," was banned in several countries due to its explicit content and sensual themes. Despite—or perhaps because of—its notoriety, the song became a hit and remains one of his best-known works.

Gainsbourg’s style evolved constantly. In the 1970s, he delved into reggae, becoming one of the first major French artists to incorporate it into his music. This genre shift was highlighted by his album "Aux armes et cætera" (1979), a reggae rendition of the French national anthem, which sparked national outrage and added to his infamous image. Gainsbourg's work was frequently explicit, exploring themes of sexuality, death, and societal taboos.

His live persona was equally provocative; he was notorious for his drunken antics, public feuds, and politically charged performances. One of his most infamous moments came in 1984 when he appeared intoxicated on a television program with Whitney Houston, declaring he wanted to sleep with her—an incident emblematic of his unpredictable, boundary-pushing nature.

Gainsbourg’s relationship with Birkin made them one of France's most celebrated celebrity couples. They had a daughter, Charlotte Gainsbourg, who went on to become a respected actress and musician herself. Despite his troubled personal life and struggles with alcoholism and health issues, Gainsbourg was prolific in his later years, constantly experimenting with new sounds and ideas until his death in 1991 from a heart attack.

Today, Serge Gainsbourg is celebrated as a French icon and revered as a daring artist who defied conventions. His influence on French music and pop culture is enormous, inspiring countless musicians, writers, and artists across generations. 

Note by the typist:  Even though they can hardly speak a word of French, most "successful" A-level students know all about Gainsburg as he's on the syllabus.

8th November 2024

Downloading & replaying is discontinued. However, tracks played were:

The Chats - Pub Feed
Motion City Soundtrack - Everything Is Alright
Amyl And The Sniffers - Guided By Angels
Kimi Djabaté - Dindin
Royel Otis - If Our Love Is Dead
Above & Beyond feat. Gemma Hayes - Counting Down The Days
Swansea Sound - Markin' It Down
The Warning - Choke
Aoife O'Donovan - Someone To Follow
Sonic Youth - Sunday
Red Lorry Yellow Lorry - Spinning Round
(See "Titus writes" below)
AronChupa & Little Sis Nora - Rave in the Grave
Christine and the Queens - Tilted
Hippo Campus - South
Kings Of Convenience - I'd Rather Dance With You
Amyl and The Sniffers - Jerkin
Wind Rose - Trollslayer
Pansy Division - Strip U Down

2nd November 2024

Titus writes:

Whenever I take part in one of those ridiculous quizzes, such as in pubs or on holiday, I always name my team “Friends of Red Lorry Yellow Lorry”, as it’s quite fun to see the MC getting him or herself tongue twisted, when the scores are announced.  That apart, I have followed this excellent band since formation in Leeds, which was as long ago as 1981, and inevitably they have undergone many changes of personnel since.  The band currently comprises Chris Reed, Dave Wolfenden, Ding Archer & Martin Henderson but they have used 13 other members  over their career.
 
The group’s genre is generally known as Gothic Rock or Post Punk, although they have always distanced themselves from Goth, preferring to say that they were primarily inspired by MC5. They were signed by the aspiring Red Rhino record label (later Cherry Red) and immediately released ‘Beating my Head’ as their debut single, which was unchanged from the demo that they had already completed.  They were encouraged that this song made a strong appearance in the NME Indie record chart.  Wolfenden became heavily involved with song writing with Reed, during what was to be a really productive period for the band in the eighties.  Influential disc jockey John Peel was an enthusiastic supporter of ‘The Lorries’, and the band recorded 2 sessions for his programme.  These sessions are available on the triple CD compilation ‘See the Fire’.  The NME also produced an independent albums chart and the band’s debut album ‘Talk about the Weather’ reached No. 3.  Many Lorries’ fans consider this LP to be their best, although an excellent  second album released on Red Rhino called  ‘Paint your Wagon’ also reached No. 3 in the NME indie album chart.
 
After this, they negotiated a record deal with Situation Two, which was a subsidiary of Beggars Banquet, releasing two further LP’s ‘Nothing Wrong’ and ‘Blow’.  It must be said that these 2 releases didn’t have half the success of the previous ones, and the band was dropped by the label.  Feeling that the band had run its course, Reed disbanded it in 1991.  Following a twelve year hiatus, Red Lorry Yellow Lorry re-formed in 2003.  In 2005, The Lorries released ‘Thunder in the Black Cave’, which was a live DVD recorded in Belgium during their European Tour, and also, under the name of ‘The Chris Reed Unit’ an acoustic-based album ‘Minimal Animal’ was put together. 
 
In the ensuing period, I didn’t hear much of them I’m sorry to report, despite journalist Mick Mercer writing in 2014 that “New material is on its way”.  Ten years on from this statement, new material WAS released and I’m delighted to report that the 2024 EP ‘Driving Black’ was put out by COP International as a prelude to the band’s new album ‘Strange kind of Paradise’.   I have requested Lex to play the track ‘Spinning Round’ from the ‘Paint your Wagon’ album which can be found here.  Like in all of my blogs, I could have chosen many a Red Lorry Yellow Lorry track, but this one just about shades it.  Gothic?  Post Punk?  Does it really matter?

1st November 2024

Downloading & replaying is discontinued. However, (Halloween) tracks played were:

The Automatic - Monster
Ramones - Pet Sematary
Children Of The Grave - Black Sabbath
The Cranberries - Zombie
Black Sabbath - Kiss of Death
Gary Moore - Rest In Peace (Remastered)
Orbital, Mediæval Bæbes - Ringa Ringa
(See "Titus writes" below)
Ava Max - Sweet But Psycho
The Rolling Stones - Sympathy For The Devil
Waxahatchee - Witches
New York Dolls - Frankenstein
Olivia Rodrigo - Vampire