26th July 2024

Click HERE to listen again or to download the podcast (downloading & playing is more reliable). 

No Doubt  - Oi To The World
Rosie Darling - What A Convincing Illusion
Pale Waves - Kiss
Chastity Belt - Laugh
Roy Harper - Another Day
The TR5's - Everybody's Screaming (Lord Sutch)
The Dead South - A Place I Hardly Know
Redwood - The Weight Of The World
Final Thirteen - Why You Sacrifice Me Now?
Ibibio Sound Machine - Got to Be Who U Are
Telehope - Chasing Nostalgia
Balance and Composure - Believe the Hype
Aural feat. Laura Sippola - Syyskuu
Automatic - New Sensations
The Southern River Band - Chasin' After Love
The Japanese House - Something Has to Change 

21st July 2024

Titus writes:

With a few exceptions, I don’t generally follow ageing rock stars, but Roy Harper is an exception.  A very talented writer, folk/rock musician who has always been admired by many inside and outside of the industry. Neil McCormick of the Daily Telegraph described him as “one of Britain’s most complex and eloquent lyricists, much admired by his peers” whilst Ian Anderson of Jethro Tull cited Harper as his “primary influence as an acoustic guitarist and song writer”. Others who admire Harper are Jimmy Page, Robert Plant, Kate Bush, Pete Townshend & Pink Floyd.

 

A Mancunian by birth, he moved to St Annes-on-Sea at the age of six, and he never took to it, later describing as being “like a cemetery with bus stops”. A lifelong atheist, Roy clashed many times with his stepmother who had strong religious beliefs.  He began writing poetry when 12 and played skiffle with his brother David (‘Davey’ on the album ‘Flat Baroque & Berserk’). He left school to join the RAF in his quest to become a pilot, but became disillusioned with the discipline in the Military.  Having escaped from the RAF, after a few mental health problems, he busked around North Africa, Europe and London. On returning to Blighty, he started to write more songs, and was signed to Strike Records, who released his first LP ‘Sophisticated Beggar’ in 1966.  He never saw himself as part of the growing traditional folk scene, and Columbia’s Shel Talmy recognised Roy’s potential, and in 1968 released a second album ‘Come out fighting, Ghengis Smith’. On this record was an eleven minute track called ‘Circle’ which was a soundscape of Harper’s difficult youth, and this illustrated the widening of his musical style.  He said later “I was too much of a modernist – just too modern for what was going on in folk clubs. My record company wanted pop hits and I gave them Circle”.

 

In the late sixties/early seventies, I used to go to the legendary Mothers Club in Birmingham, and Roy Harper played there around six times  in that period.   He loved the place and said that Mothers was the first venue outside of London which really meant something to him. Shel Talmy produced his third album ‘Folkjokeopus’ which was on Liberty records and included a seventeen minute track ‘McGoohan’s Blues’, which Roy used to underline his non-conformance to radio-friendly, standard 3 minute songs.

 

His reputation was now growing and in 1970 Harper signed a deal (via ex Floyd manager Peter Jenner) with EMI ‘underground’ subsidiary Harvest Records, where he would remain for ten years.  Jenner commented “He’s a terrific songwriter, but a bit crazy, like all the best people”. Despite being a big admirer, John Peel felt he had to reply to Roy at a live concert session, when the latter criticised the BBC & Radio One whilst on air. Peel replied that whilst he conceded that the BBC as a large organisation was far from perfect, Roy Harper has just signed with EMI, who apparently called themselves “the biggest recording company in the World”. Ouch!

 

Roy Harper’s popularity went from strength to strength and all in all he has recorded 22 studio albums, 13 live albums, 12 compilation albums, and 21 singles/EP’s. In my “Not a lot of people know that” series, I’ll tell you now, something that most Roy Harper /Pink Floyd aficionados should know..... Roy sang ‘Have a cigar’ on Floyd’s ‘Wish you were here’ LP.  During Christmas 1979, Kate Bush & Peter Gabriel sang Harper’s ‘Another Day’ as a duet, in tribute to the great man. 

 

In 2011 Roy played London’s Royal Festival Hall to celebrate his 70th birthday, with The Daily Telegraph describing it as “an evening of devastating musical brilliance”, and in 2019 he played a series of concerts covering 8 venues in the U.K. My own favourite of all of Roy’s songs is ‘When an old cricketer leaves the crease’, and this he actually sung as a lunchtime guest on BBC Radio’s ‘Test Match Special’, on 24 July 2011. Whilst brilliant, this track is far too long for lex’s programme. I have therefore requested the aforementioned 'Another Day' from the ‘Flat Baroque & Berserk’ album, which can be found here. To me, apart from being such an amazingly talented singer/songwriter/ guitarist,  he’s always been eccentric, non conformist, and slightly mad but I guess that’s part of the reasons I admire him so much.

19th July 2024

Click HERE to listen again or to download the podcast (downloading & playing is more reliable). 

GUN - Race with the Devil
Paul Russell ft. Meghan Trainor - Slippin'
The Warning - Burnout

Morgan Wade - Suspicious Minds
Those Damn Crows - Let's Go Psycho!
Sheryl Crow - Do It Again
Meg Myers - Desire
Mr. Airplane Man - C'mon DJ
Sjöblom - Fly Away With Me
Misfits - Skulls
Pale Waves - Television Romance
Allie X - Black Eye
Chime School - Give Your Heart Away
Mount Rushka - Weathervane
Men At Work - Who can It be Now
Judas Priest - Crown Of Horns
Rosali - Mouth

14th July 2024

Titus writes:

Mr Airplane Man are an American band that I have followed closely from their formation in 1998 to the present day. At that time the current members of the band, Margaret Garrett (guitar) & Tara McManus (drums) experimented with other band members but always preferred playing as a twosome.  The band was formed under the advice of Mark Sandman, who at the time was frontman for Morphine.  The two girls met each other when they were both 10, but later lost touch when they went to separate colleges.  Margaret & Tara come from Boston, Massachusetts, and they have been reported as playing Blues rock, rock & roll, garage punk and garage rock.  In their own words, they describe themselves as “A mishmash of deep love for Mississippi hill country blues, Memphis, weirdo rock & roll, drony VU, Boston garage beat and pop wonderment".
 
Their discography is slightly complex, in that they released their first album ‘Red Lite’ in 2001, ‘Moanin’ ’ in 2002 and ‘C’mon DJ’ in 2004.  After this, their third album, the duo went on hiatus which they put down to lack of inspiration.  During this gap in their career, they were asked to appear at a festival in Germany, and Margaret & Tara decided to reunite for this.  They subsequently released an EP in 2012 called ‘Shaking Around’, which coincided with the time they were asked to open for The Yeah Yeah Yeahs, The White Stripes and The Strokes.
 
In 2014 the band released an LP called ‘The Lost Tapes’ from 1999 – this was a collection of unreleased recordings, and also  ‘Mr Airplane Man’ from 1998, which should have been their first album (I told you their discography is slightly complex!) and included Mark Sandman. The duo are known to be very serious musicians,  have always been well received and have a cult following.  Both ‘Moanin’’ and ‘C’mon DJ’ were both released on the Sympathy for the Record Industry label – a record company that had The White Stripes, Hole, & The Electrocutes signed up to it, so this was illustrious company for Margaret & Tara.  Sympathy for the R.I. has become an iconic label, formed in 1988 by John Mermis, also known as Long Gone John - he is their owner & CEO.  Just to add to his C.V., John is also a serious record collector, owning over 10,000 records.  He also owns Necessaries Toy Foundation (they create 18-24 inch figures apparently) and he also runs the Sympathetic Press, which prints books with rock’n’roll themes.  In 2007, Long Gone John announced on My Space (I think this was one of Facebook’s predecessors) that he was selling the Sympathy for the R.I. label for $625,000 ......or $700,000 “if I don’t like you”.

One thing that has really impressed me is Margaret’s mastery of the slide guitar, which if you play the video on You Tube of ‘Jesus on the Mainline’ from the ‘ Moanin’ ‘ album, you see what I mean.  In 2016, the duo relocated to Los Angeles to pursue music in the film/TV industry, and of note, if you ever get to see a film called ‘Crazy Eyes’ , you’ll hear their music. The band are still moving ahead strongly nowadays, and in 2018 released their sixth  album ‘Jacaranda Blue’.  My favourite from all of their music is the title track from the ‘C’mon DJ’ album, but I have asked lex to play a different version than is on the original 2004 LP. This was recorded and filmed by Guerrilla Monster Films in Memphis in 2014, and can be found here.

12th July 2024

Click HERE to listen again or to download the podcast (downloading & playing is more reliable). 

Buster Bloodvessel - Come on England
Bilbao Kung-Fu - Oh!
Waxahatchee - A Little More
White Lies - Death
The Temper Trap - Love Lost
The Dead Milkmen - Punk Rock Girl
The Vaccines - If You Wanna (Glastonbury 2024)
Performance - Modern Nature
Nits - The Tree
Belgrado - Jeszcze Raz
Emily Wurramara - Magic Woman Dancing
The Drop - Sports Team
Benzen & Binau - Tune in Your Radio
Soapbox - Fascist Bob
La Poison - Le Monde Va Mal
La Femme - Sacatela
Pistol - Cigarettes After Sex

In the ever-evolving landscape of punk rock, the band Soapbox stands as a testament to the enduring power of raw energy, social consciousness, and unyielding authenticity. Emerging from the underground scene, Soapbox has carved out a niche for themselves with their electrifying performances, thought-provoking lyrics, and commitment to the do-it-yourself (DIY) ethos that has been a hallmark of punk since its inception. This blog about them delves into the band's musical journey, their impact on the punk community, and the unique qualities that set them apart.
Soapbox's inception can be traced back to a group of friends united by a shared passion for punk rock and a desire to use music as a platform for change. From their early days playing in small, gritty venues, the band quickly developed a reputation for their high-octane live shows and uncompromising sound. Drawing inspiration from punk legends like The Clash, Dead Kennedys, and Minor Threat, Soapbox's music is characterized by fast-paced rhythms, aggressive guitar riffs, and anthemic choruses that inspire both moshing and contemplation.
Over the years, Soapbox has evolved musically while staying true to their punk roots. Their discography reflects a blend of traditional punk elements with influences from other genres, creating a distinctive sound that is both familiar and refreshingly original. This musical versatility has allowed them to appeal to a broad audience, from hardcore punk enthusiasts to casual listeners who appreciate their dynamic style and potent message.
One of the defining features of Soapbox is their dedication to addressing social and political issues through their lyrics. The band's name itself suggests a platform for speaking out, and they have consistently used their music to voice concerns about injustice, inequality, and the struggles of the disenfranchised. Songs like "Broken System" and "Voices Unheard" tackle topics such as systemic corruption, environmental degradation, and the plight of marginalized communities.
Soapbox's lyrics resonate deeply with fans who see the band as not just musicians, but also as activists. In an era where many artists shy away from controversial topics, Soapbox confronts them head-on, sparking conversations and encouraging listeners to think critically about the world around them. This fearless approach to songwriting has earned them a dedicated following who find both solace and inspiration in their music.
A Soapbox concert is more than just a musical performance; it is an experience. Known for their energetic and interactive shows, the band creates an electric atmosphere that draws the audience in and makes them a part of the performance. Whether playing in a packed club or at a sprawling festival, Soapbox's live shows are characterized by their intensity, passion, and the palpable connection between the band and their fans.
The physicality of their performances, with members often diving into the crowd or climbing stage structures, embodies the rebellious spirit of punk. This raw, unfiltered energy is a key element of their appeal, ensuring that each show is a unique and unforgettable event.
In an industry often dominated by commercial interests, Soapbox has steadfastly adhered to the DIY principles that are central to punk ideology. They take pride in managing many aspects of their career independently, from recording and producing their albums to designing their merchandise and organizing tours. This hands-on approach not only gives them creative control but also reinforces their authenticity and integrity.
Soapbox's DIY ethic extends to their involvement in the local music scene. They frequently collaborate with other independent artists, participate in benefit concerts, and support grassroots movements. By fostering a sense of community and solidarity, they contribute to the vibrancy and resilience of the punk scene, proving that punk is not just a genre but a way of life.
Beyond their music, Soapbox is known for their innovative visual aesthetics. Their album art, music videos, and promotional materials are often striking and thought-provoking, reflecting the themes and messages of their songs. Collaborating with visual artists and filmmakers, the band ensures that their artistic vision is cohesive and impactful, adding another dimension to their work.
Soapbox embodies the enduring spirit of punk rock through their relentless energy, socially conscious lyrics, and unwavering commitment to the DIY ethos. Their journey from underground venues to becoming a beacon of authenticity and activism in the punk community is a testament to the power of music as a force for change. As they continue to evolve and inspire, Soapbox remains a vital and vibrant part of the punk landscape, reminding us all of the importance of speaking out, standing up, and staying true to our principles.

8th July 2024

Titus writes:

 

As many of you know, I was going to write about The Vaccines last week, but I was so impressed with PJ Harvey’s set at Glastonbury, that I just had to write about it first.

 

The Vaccines are an English 4 piece band, and I suppose if one has to label them, they could be classed as playing Indie Rock. Their formation came as late as 2010 in London, and the current line up is Justin Hayward-Young (apparently no relation to the Moody Blues stalwart),  Arni Arnason, Timothy Lanham & Yoann Intonti.  Just to inform you via my legendary “Not a lot of people know that” series, Hayward-Young is the great grandson of the prolific English painter and artist Walter Hayward-Young, a.k.a. ‘Jotter’.  The Vaccines have been the ‘warm up’ act for the Rolling Stones, Arctic Monkeys, Muse and the Red Hot Chilli Peppers amongst others.  A year after formation, the band made the first of their six studio albums ‘What did you expect from The Vaccines?’, and the LP became the best selling album of 2011 in the U.K.   Following on from this album, there were 5 further studio LP’s : ‘Come of Age’ (2012), ‘English Graffiti’ (2015), ‘Combat Sports’ (2018), ‘Back in Love City’ (2021), and ‘Pick-Up full of Pink Carnations’ (2024) which is mentioned shortly.

 

Zane Lowe in particular was particularly praiseworthy of them, saying that ‘If you wanna’ (from the above album) was “The hottest record in the World”, and that praise was complemented by ‘Clash’ magazine who stated that The Vaccines could help bring in a new era for good guitar music.   The band re-wrote history by appearing on the TV show ‘Later with Jools Holland’ BEFORE releasing a single.  Such was the band’s initial popularity, that a gig in Kentish Town quickly sold out and around 200 people were turned away. 

 

By September last year, the band had recorded its sixth studio album, the aforementioned  ‘Pick-up full of Pink Carnations’, and The Vaccines announced an accompanying U.K./U.S./European Tour. The LP was released in January  2024.  I mentioned winning an award earlier on, and in addition the band have won ‘Best emerging talent’ (Quintessentially Awards); ‘Best new band’ (NME); ‘New Music Award’ (XFM) and ‘Best foreign new Act’ (Swedish GAFFA Awards). They were also nominated at the MTV Awards, The Brits, and The Mojo Awards.

 

As I mentioned PJ Harvey’s performance at Glastonbury earlier on, I think it only fitting to request Lex to play a Vaccines live recording from the same weekend, which is the classic ‘If you wanna’ and can be found here.  I don’t know about you, but I reckon, that despite being written around thirteen years ago, it still sounds pretty darn good. I sincerely believe that they have become one of the best Indie Bands on the circuit, and have maintained a high standard in the fourteen years they have been in the business.

5th July 2024

Click HERE to listen again or to download the podcast (downloading & playing is more reliable). 

Boney M Vs Horny United - Ma Baker
The Blow Monkeys - This Is Your Life
Black Country Communion - Enlighten
Altered Images - I Could Be Happy
Marisa And The Moths - Borderline
Michael Head & The Red Elastic Band - Shirl's Ghost
Queen - Another One Bites the Dust (dedicated to Jacob Rees-Mogg, see notes below)
Bizarrap - Bzrp Music Sessions, Vol. 53 (Tiësto Remix)
Lola Young - Together In Electric Dreams
Budgie - Breadfan
Cara Dillon - Spencer the Rover
PJ Harvey - This Is Love
Pomplamoose - Lovely Day & Good as Hell - Mashup
The Dead South - A Place I Hardly Know 

Jacob Rees-Mogg, a prominent figure in British politics, often elicits strong reactions from both admirers and detractors. Known for his articulate speeches, traditionalist views, and sharp wit, Rees-Mogg has carved a niche for himself in the Conservative Party. However, beyond his polished exterior and sophisticated demeanor, there lies a controversial side that has drawn considerable criticism. These notes delve into the more contentious aspects of Rees-Mogg's public life, examining his political positions, public statements, and personal conduct that have earned him the label of absolute cunt.

One of the most significant criticisms of Jacob Rees-Mogg is his staunch opposition to progressive social policies. A devout Catholic, Rees-Mogg's views on issues such as abortion and same-sex marriage are rooted in his religious beliefs, which often place him at odds with more liberal segments of society. He has consistently voted against measures to legalize same-sex marriage and has publicly stated his belief that abortion is morally indefensible, even in cases of rape or incest. Such positions, while reflecting his personal convictions, have been condemned by many as out of touch with modern societal values and lacking in compassion for individuals facing difficult personal circumstances.

Rees-Mogg's economic policies have also been a source of contention. A firm advocate of free-market capitalism, he supports deregulation, lower taxes, and reduced government intervention in the economy. Critics argue that his economic stance disproportionately benefits the wealthy at the expense of the less fortunate. Rees-Mogg has been a vocal proponent of austerity measures, which have led to significant cuts in public services and welfare support. These policies, aimed at reducing the national deficit, have been linked to increased poverty and inequality, drawing ire from those who believe they harm society's most vulnerable.

Moreover, Jacob Rees-Mogg's conduct during the Brexit debate has amplified his reputation as a polarizing figure. As a leading Brexiteer, he was one of the most ardent supporters of the United Kingdom leaving the European Union. His uncompromising stance on Brexit, coupled with a perceived lack of empathy for the economic and social upheaval it caused, has been a major point of criticism. Rees-Mogg's infamous comment that the economic benefits of Brexit might not be realized for fifty years was seen by many as indicative of his detachment from the immediate concerns of ordinary citizens. His investment company’s establishment of a new fund in Ireland post-Brexit to ensure continued access to the EU market was seen by critics as hypocritical and self-serving.

In addition to his political positions, Rees-Mogg's behavior in Parliament has also attracted negative attention. His decision to recline across the front benches of the House of Commons during a crucial Brexit debate was widely perceived as disrespectful and indicative of his sense of entitlement. This incident, captured in photographs that quickly went viral, became emblematic of what many see as his arrogance and disdain for parliamentary decorum. Such actions have reinforced the perception of Rees-Mogg as a politician who is not only out of touch with ordinary people but also dismissive of the democratic process.

Another aspect of Rees-Mogg's controversial persona is his connection to the aristocracy and the perception that he represents a bygone era of privilege and elitism. Educated at Eton College and Trinity College, Oxford, his background is often cited as evidence of his disconnection from the experiences of everyday Britons. His mannerisms, speech, and lifestyle choices, which harken back to a Victorian era, while charming to some, are seen by others as anachronistic and indicative of a lack of understanding of contemporary issues and the diverse fabric of modern British society.

In conclusion, while Jacob Rees-Mogg is undoubtedly a skilled politician with a loyal following, his controversial views and actions have made him a divisive figure in British politics. His opposition to progressive social policies, advocacy for austerity measures, contentious role in the Brexit debate, and perceived elitism contribute to a public image that is as much criticized as it is admired. Understanding the nasty side of Rees-Mogg's public persona is essential for a comprehensive assessment of his impact on the political landscape of the United Kingdom. He lost his seat in the 2024 General Election, and I say thank fuck for that.