19th January 2024

Click HERE to listen again or to download (downloading & playing is more reliable).

Elemeno P - One Left Standing
Fastball - The Way
Switchfoot - Meant To Live
Staind - Here and Now
The Phoenix Foundation - Buffalo
The Luka State - Bring Us Down
Skimmer - You Taped Me Dancing
(See blog by Titus below)
Sarah Blasko - We Won't Run
Kacey Musgraves - Butterflies
Andrea Benz - I Did It Anyway
Sara Kays - Picture Of You
Old Heavy Hands - Coming Down
(Tune of the week)
70 Gwen Party - Knee Deep in Evil (See blog by Titus below)
Jack Zhoul - Up
Gabriella Cilmi - Sweet About Me

14th January 2024

Titus writes:

I am pleased that my blog, and the subsequent playing of 2 of Ivor Cutler’s tunes went down so well. Not to everyone’s taste admittedly, but I love eccentrics, and he certainly was one!
 
I am mindful that lex prefers relatively unknown artists/bands for potential broadcast, and that “well known” rockers are generally under the domain of Clumpton and his “Wrinkly Rock” programme. So – this week I’m concentrating on (IMO) an excellent and totally avant–garde band called 70 Gwen Party,  and also on the last band to have their Peel session broadcast before John’s untimely death – Skimmer - on 21 October 2004.
 
70 Gwen Party were made up of just two musicians, who were Victor N’Dip and Lurgin Pin. They were known for their strong political views and I think generally known as “being a bit prickly”. They recorded on their own Snape Record label including a Peel Sessions compilation. The Peel Show’s backing was endorsed by N’Dip on his sleeve notes for the Peel Sessions CD, when he wrote “the John Peel Show has been a massive inspiration for this band over the years and we’re proud of the fact that many of these recordings are amongst the best we ever made – so from both of us, thanks John”.  JP remarked in 1991 “I’ve had lots of demo tapes from 70 GP over the years, and I’m really ashamed that this is their first session – it should be their sixth or seventh”.

      

Information about the band in its latter years is sketchy to say the least, and I have to say I don’t believe they are still performing, but I will stand corrected by any one with more in depth knowledge. My last knowledge of them stems from 1997. I personally thought that the curiously named LP of theirs “Devil wrapped and Ginsung buried” was absolutely brilliant. The track I have requested lex to play, however. is from the Peel sessions LP and it is ‘Knee deep in evil’ Their music is totally indefinable, and I remember well going to Mike Lloyds’s shop in Wolverhampton (when it used to have independent record shops) and purchasing the 7” Auto Killer Uk c/w Helier Party for £2, amidst strange looks from shop staff and members of the public. Those were the days, my friend.
 
After a short intermission, we’re onto part two of my ramblings. If I’d mentioned Skimmer, I think most people in October 2004 – me included -  wouldn’t really have taken much notice. Yet, as I said earlier,  they became unique, being the last band to record a Peel Session before the great man’s death. There were 3 more sessions arranged for other bands, but all of these were broadcast later, in or after November 2004.. Skimmer are a band from Birmingham and were originally signed to the Leeds based Crackle label. For what was basically a post-punk band, they were once surprisingly described as having the ability to “harmonise like hamsters” Ironically, when they did the session, they were themselves getting over their drummer’s death. They made two albums ‘I’ll tell you what’ (2007) and ‘Self Harmony’ (2009). A noble gesture by Crackle was to release a double CD in 2008 called ‘Smitten’, which contained all of the stuff from their long out of print first 2 LP’s plus a few extra tunes.  

I believe the band are currently signed to Waterslide Records in Japan, and Heroic Failure Records in Blighty. As far as I know they continue to perform. The track I have chosen is from their ‘Self Harmony’ album called ‘You taped me dancing’.

12th January 2024

Click HERE to listen again or to download. Downloading & playing works best.

City of Souls - Sleep
The Naked And Famous - Hearts Like Ours
The Sharp - Scratch My Back
Gin Wigmore - Hey Ho
Liam Finn - Better To Be
Mella - Still Haven't Found
(Tune of the week)
Tanja Dankner - Take On Me
Joyce Jonathan (& Jason Mraz) - À La Vie Comme À La Mort
Bluelightmagic feat. Alischa Boss - Throw me a Lifeline
Sandee - Mini Brügg
Margaret Glaspy - Irish Goodbye
The Mint Chicks - Crazy? Yes! Dumb? No!
Run - Perfect Glow
Ivor Cutler - Little Black Buzzer
(See blog by Titus below)
P!NK ft. First Aid Kit - Kids in Love
Ivor Cutler  - Life In A Scotch Sitting Room, Vol. 2, Ep. 11
(See blog by Titus below)
Maria Mena - All This Time
Marvin - Scratched up 45
Visage - Fade To Grey
Shakin' Stevens - A Rockin' Good Way (With Bonnie Tyler)

Artist of the week: Ivor Cutler.  Apologies for sounding a bit indistinct, I'd had two teeth taken out 24 hours earlier! Better next week!

6th January 2024

Titus writes:
 
I have always enjoyed the work of eccentrics, whilst in pursuit of all things alternative over the years. Two such people – the late Vivian Stanshall and the late Captain Beefheart whom many considered to be at that fine dividing line of genius & madness, used to apparently make Trans–Atlantic telephone calls to each other. It was always a source of wonderment to me, as to what these two mega-intelligent guys talked about. Others on my radar were Mark E Smith, Nigel Blackwell (already championed in my blog of 17 December 2023), and the fictitious Reginald Perrin.
 
One, however always impressed me mega-immensely. He didn’t live by the same rules as anyone else, and the majority of people have no idea who he was when they hear his name... IVOR CUTLER.  Born in the Glasgow suburb of Govan in 1923, he was a humourist, poet, singer/songwriter, teacher and author amongst other things. We need more like Ivor in the modern World, IMO. His music and indeed his work were indefinable. He had  a difficult  relationship with his mother, following the birth of his younger brother, recalling a sense of displacement. He said at the time “Without that, I would not have been so screwed up as I am, and therefore not as creative”.
 
After a period in the R.A.F. (from where he was grounded, due to “dreaminess” e.g. sketching clouds when in flight), he became a teacher, then attended the Glasgow School of Art, and then lived in London from 1950, returning to teaching. He once commented that he didn’t like his teaching post in Scotland, because he hated disciplining children with the belt, but at least he admitted to having learnt Morse code, whilst completing his Military Service. In 1957 he started regular gigs of his poetry & music and he would more often than not accompany himself on his beloved harmonium. In the 50’s and 60’s Ivor made many appearances on the various BBC radio programmes, and was once interviewed on television’s “Late night line up” where he was spotted by Paul McCartney. Paul invited him to appear in the Beatles “Magical Mystery Tour” film, wherein he played the courier Buster Bloodvessel.
 
You will probably be waiting, dear reader for me to mention my idol John Peel at this point, and you won’t be disappointed.  John, so impressed with Ivor, asked him to record a session for his Radio One show in 1969. Twenty more sessions would follow, through the 70’s, 80’s & 90’s, and Cutler said “Thanks to Peel, I gained a whole new audience, to the amazement of my older fans who find themselves among 16 to 35 year olds in theatres”. In 1974 the Soft Machine’s former drummer Robert Wyatt, invited Cutler to play harmonium and sing 2 songs on his solo album “Rock Bottom”. This unlikely partnership resulted in Ivor signing for Wyatt’s record label Virgin, and he made 3 albums for them – “Dandruff”, “Velvet Donkey” and “Jammy Smears”, wherein he performed poems, songs and general ramblings. Additional readings were made by his friend of many years, Phyllis King.   Peel later commented that Cutler was probably the only person whose work had been heard on Radios 1,2,3, and 4.
 
In the 1970’s Cutler introduced many episodes of his “Life in a Scotch Sitting Room” series, which were condensed into the LP of the same name –except that he added “Volume Two” (there never was a Volume One). This title was also produced as a book in 1984. In the 90’s Ivor made two albums for Creation Records : “A Wet Handle” and “A Flat Man”.
 
Ivor, as I said earlier was a notable eccentric. Clothes-wise, he wore plus-fours, a hat with dozens of badges on, and he utilised an odd form of communication called “Cutlerisms” which were sticky labels with bizarre wording endorsed thereon. He travelled to most places by bicycle and never owned a house or a car. His albums often had around 60 to 80 mainly short tracks on, and it has therefore been difficult to choose just one track to request lex to play. My choice is “Little Black Buzzer” to showcase his Morse code skills, and of course, an episode of “Life in a Scotch sitting room vol 2”.
 
He retired from performing in 2004, and died on 3 March 2006.

5th January 2024

Click HERE to listen again or to download. Downloading & playing works best.

The Presidents Of The United States Of America - Lump
Garbage - Why Do You Love Me
Eluveitie - Exile of the Gods
The Angels - No Secrets
Paganini - Berlin By Night
Lunática - The Neverending Story
The Would Be's - My Radio Sounds Different In The Dark
(See blog by Titus below)
Abby Hamilton - #1 Zookeeper (of the San Diego Zoo)
Jaël - Only Human
Anna Moss - Penis Envy
Virginia Light - Ballerina Girl
Monotales - It's Alright
Beth Wimmer - Heavy
Kunz - Näbe Der
Goldschatz - Gemini

Tune of the week: The Would Be's - My Radio Sounds Different In The Dark.

31st December 2023

Titus writes:
 
A New Year has dawned and I hope you all enjoyed the Festive Season. I look forward to listening to WTF is this in 2024 and to telling you more about some of the alternative bands & people who have impressed me over the years. I’ve always believed that there is a whole world of music out there waiting to be listened to, and that ‘TOTP’, plus many so called music radio stations are not really that representative of the stuff that people enjoy. A great example of this, is my recent blog focus on the great British band Bob. If their superb single 'Convenience' had been on say Radio One’s playlist, and had been embraced & promoted by the media, it would surely have gained its true accolade of ‘a perfect pop record’, just as ‘Teenage Kicks’ by the Undertones quite rightly did some years before (well done Peely as always for your persistence in promoting this masterpiece)........ well, that’s just my opinion, which you can take or leave – the majority of you are probably leaving this very minute!
 
This leads me nicely onto a band that was one of the best bands that never quite made it. I refer to the Would Be’s from Northern Ireland, who Peel really championed in 1990 and beyond. The band was set up by the Finnegan brothers in 1989 and at the time the group’s average age was around seventeen. Astonishingly Paul Finnegan was only 13 at the Would Be’s conception. The band sent a copy of of their first single ‘I’m hardly ever wrong’ on Decoy records to J.P, bearing in mind that they had had only 250 pressings done. At this time, many Indie bands did similar, in the hope that the great man would have time to listen to them and give them some air time on his radio programme. To cut a long story short, Peely loved the record and even played it on his BBC World Service programme, in addition to his regular slot on Radio 1. Very soon after they recorded a session for the Peel Show, and it was then that the A & R people, always scouting for hot property, came to sign them. They were persistent in that they apparently contacted the schools that vocalist Julie McDonnell & trombonist/saxophonist & violinist Aideen O’Reilly attended for information.
 
Against all odds, the band chose the small Decoy label, but unfortunately this company had no money to spend on an album, which would have arguably been the icing on the cake for such a  talented bunch. Julie McDonnell returned to her studies and was replaced by Eileen Cogan, but the writing was on the wall for a band without sound financial backing. After recording their third E.P. the Would Be’s split in 1991, without a debut album and its proceeds to fall back on.
 
A short-lived reunion happened in the Millennium year, and then a more successful one in 2012, when the original line up got back together, minus drummer Pascal Smith. In 2013 they FINALLY released their much awaited debut L.P. ‘Beautiful Mess’.
 
On the Peel Session broadcast in 1990, the band performed 4 songs : ‘All this rubbish is true’ / ‘Must it be’ / ‘Funny ha ha’ / ‘My radio sounds different in the dark’, which is the track I have requested lex to play this coming Friday,  or the original Decoy track
 
In conclusion, the track I have requested, is arguably  a near as dammit a ‘perfect pop record’......just like the Undertones ‘Teenage Kicks’ and Bob’s ‘Convenience’. The title of the track always reminds me of growing up in the 1950’s, listening in the dark to Radio Luxembourg on my radio at low volume, which was concealed beneath the bed clothes. In hindsight, I’m sure my parents knew that I was listening. Happy days.

29th December 2023

Sorry folks, there will be no WTF Is This? show tonight. This evening UKNova Radio will be off air.

Normal service will be resumed next Friday, 5th January 2024.

Happy New Year!